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Philip Brockbank

    The New Cambridge Shakespeare: The Tragedy of King Lear
    Coriolanus
    Players of Shakespeare 1
    • This is the first fully annotated, critical edition of King Lear to appear for forty years. It includes a comprehensive account of Shakespeare's sources and the literary, political, and folkloric influences at work in the play, a detailed reading of the action, and a substantial stage history of major productions. Jay Halio is concerned to clarify, for those approaching the play for the first time, the vexed question of its textual history. Unlike previous editions, his does not present a conflation of the Quarto and the Folio. Accepting that we have two versions of equal authority, the one derived from Shakespeare's rough drafts, the other from a manuscript used in the playhouses during the seventeenth century, Professor Halio chooses the Folio as the text for this edition. He explains the differences between the two versions and alerts the reader to the rival claims of the Quarto by means of a sampling of parallel passages in the introduction and by an appendix which contains annotated passages unique to the Quarto.

      The New Cambridge Shakespeare: The Tragedy of King Lear1992
      4.0
    • Players of Shakespeare 1

      • 192 pages
      • 7 hours of reading

      This is believed to be the first book of its kind. Twelve distinguished actors were asked to write about the preparation and performance of a Shakespeare role they had played in a production with the Royal Shakespeare Company.

      Players of Shakespeare 11988
      4.6
    • Coriolanus

      • 304 pages
      • 11 hours of reading

      "Coriolanus is perhaps the most brilliant political play ever written. Set in Ancient Rome, it remains a gripping psychological study of the relationship between personality and politics. The introduction to this new edition considers Shakespeare's adaptation of his historical material (Plutarch's Lives) in relation to the social and political conditions in London and Stratford at the time of the play's composition, also offering new evidence that it was written in 1608. Professor Parker examines the play's history and particularly its staging at the Blackfriars theatre, where it was probably the first of Shakespeare's plays to be presented and for which it may have been written. A thorough commentary pays special attention to the needs of actors and directors."--Publisher description

      Coriolanus1976
      4.2