Téa Obreht crafts narratives that delve into intricate family dynamics and the lingering mysteries of the past, often set against the backdrop of post-conflict societies. Her prose is characterized by a lyrical quality and evocative language that draws readers deeply into her stories. Through her writing, she explores themes of memory, identity, and the indelible connection between generations. Obreht masterfully builds atmosphere and creates characters that resonate long after the final page.
Sil und ihre Mutter fliehen in die versinkende Inselstadt Island City, wo die Mutter als Bergungstaucherin arbeitet. Im maroden Wohnturm «Morgenlicht» begegnen sie der geheimnisvollen Bezi Duras und einer neuen Freundin. Als die Mutter verschwindet, steht Sil vor der Entdeckung ihrer Vergangenheit. Téa Obreht schildert eine poetische Suche nach Wahrheit und Hoffnung.
The author of THE TIGER'S WIFE returns with a story about a young girl and the mysterious residents of a luxury tower block in a dying world
THE NEW NOVEL BY THE AUTHOR OF THE TIGER'S WIFEA man searching for a home he can't find. A woman bound to a home she can't leave.
The sometimes crushing power of myth, story, and memory is explored in the brilliant debut of Obreht, the youngest of the New Yorker's 20-under-40. Natalia Stefanovi, a doctor living (and, in between suspensions, practicing) in an unnamed country that's a ringer for Obreht's native Croatia, crosses the border in search of answers about the death of her beloved grandfather, who raised her on tales from the village he grew up in, and where, following German bombardment in 1941, a tiger escaped from the zoo in a nearby city and befriended a mysterious deaf-mute woman. The evolving story of the tiger's wife, as the deaf-mute becomes known, forms one of three strands that sustain the novel, the other two being Natalia's efforts to care for orphans and a wayward family who, to lift a curse, are searching for the bones of a long-dead relative; and several of her grandfather's stories about Gavran Gailé, the deathless man, whose appearances coincide with catastrophe and who may hold the key to all the stories that ensnare Natalia. Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure.
'Having sifted through everything I have heard about the tiger and his wife, I can tell you that this much is fact: in April of 1941, without declaration or warning, the German bombs started falling over the city and did not stop for three days. The tiger did not know that they were bombs...' A tiger escapes from the local zoo, padding through the ruined streets and onwards, to a ridge above the Balkan village of Galina. His nocturnal visits hold the villagers in a terrified thrall. But for one boy, the tiger is a thing of magic - Shere Khan awoken from the pages of The Jungle Book. Natalia is the granddaughter of that boy. Now a doctor, she is visiting orphanages after another war has devastated the Balkans. On this journey, she receives word of her beloved grandfather's death, far from their home, in circumstances shrouded in mystery. From fragments of stories her grandfather told her as a child, Natalia realises he may have died searching for 'the deathless man', a vagabond who was said to be immortal. Struggling to understand why a man of science would undertake such a quest, she stumbles upon a clue that will lead her to a tattered copy of The Jungle Book, and then to the extraordinary story of the tiger's wife.