'In my brief breath of life, might I find a way to fit light to paper?'In a land of ethereal beauty, within a culture soaked in myth, a young woman discovers the story that will change her life.In 2003, seventeen-year-old Australian exchange student Hannah Kent arrives at Keflavík Airport in the middle of the Icelandic winter.That night she sleeps off her jet lag and bewilderment in the National Archives of Iceland, unaware that, years later, she will return to the same building to write Burial Rites, the haunting story of Agnes Magnúsdóttir, the last woman executed in Iceland. The novel will go on to launch the author's stellar literary career and capture the hearts of readers across the globe.Always Home, Always Homesick is Hannah Kent's exquisite love letter to a land that has forged a nation of storytellers, her ode to the transcendent power of creativity, and her invitation to us all to join her in the realms of mystery, spirit and wonder.
Hannah Kent Book order (chronological)
Hannah Kent's work delves into the shadowed corners of the human psyche and history, offering narratives characterized by raw honesty and compelling prose. She masterfully crafts atmospheric tales that immerse readers in profound explorations of guilt, punishment, and the quest for redemption, often set against stark, isolated backdrops. Her distinctive voice and approach to storytelling create characters and situations that resonate deeply long after the final page is turned. Kent's literary significance lies in her ability to unearth complex truths through meticulously researched and emotionally charged narratives.







Devotion
- 418 pages
- 15 hours of reading
The powerful, moving and truly unique new novel from the bestselling author of &i;>Burial Rites&/i> and &i;>The Good People.&/i>
An Amazon Editors’ Best Book of December 2018 “Art will wake you up. Art will break your heart. There will be glorious days. If you want eternity you must be fearless.” —from The Museum of Modern Love Arky Levin has reached a dead end. Unexpectedly separated from his wife, he suddenly has the space he needs to work composing film scores—but none of the peace of mind he needs to create. As he wanders the city, guilty and restless, it’s almost by chance that he stumbles upon an exhibition that will change his life. The installation the fictional Arky discovers—which is based on a real piece of performance art that took place in 2010—is inexplicably powerful. Visitors to the Museum of Modern Art sit across a table from the performance artist Marina Abramović, for as short or long a period as they choose. Although some go in skeptical, almost all leave moved. And the participants are not the only ones to find themselves changed by this unusual experience: Arky finds himself drawn to the exhibit. He returns day after day to watch other people sit with Abramović—and as he does, he begins to understand what might be missing in his life and what he must do.
Short-listed for the Walter Scott Prize for Historical Fiction One of Entertainment Weekly's "Must-Read" books for Fall From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that takes us on a frightening journey towards an unspeakable tragedy."-Paula Hawkins, bestselling author of The Girl on the Train Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue child from a superstitious community. Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheál, who can neither speak nor walk. A handmaid, Mary, arrives to help Nóra just as rumours begin to spread that Micheál is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways. Set in a lost world bound by its own laws, THE GOOD PEOPLE is Hannah Kent's startling new novel about absolute belief and devoted loveTerrifying, thrilling and moving in equal measure, this follow-up to Burial Rites shows an author at the height of her powers.
Rekviem egy gyilkos asszonyért
- 400 pages
- 14 hours of reading
Az elsőkönyves szerzők műveit díjazó Guardian First Book Award döntőse „Az egyik legmegkapóbb és legizgalmasabb könyv, amit idén olvastam.” (Kate Mosse, a Labirintus szerzője) Izland rideg északi partvidékén járunk, 1829-ben. Egy nőt halálra ítélnek a szeretője megöléséért, és a kivégzésig egy család gondjaira bízzák. Lelkészt is rendelnek mellé, hogy feloldozza bűnei alól. Az elítélt lassan megnyílik a tisztelendőnek, elmeséli neki az életét és a gyilkosság előzményeit. Egyre nyilvánvalóbbá válik, hogy semmi sem az, aminek látszik, de az idő vészesen fogy – közeleg a tél, és vele a kivégzés napja. Csak ő tudja, mi történt valójában. Ez Agnes története. A halálra várók szenvedésének kegyetlenségénél csak a tétlenek és tehetetlenek lelkiismeret-furdalása rosszabb.
Burial Rites
- 338 pages
- 12 hours of reading
Northern Iceland, 1829. A woman condemned to death for murdering her lover. A family forced to take her in. A priest tasked with absolving her. But all is not as they had assumed, and time is running out - winter is coming and with it the execution date. Only she can know the truth.