Angela Carter Books

As well as her eight novels, Angela Carter published four wonderful collections of short stories during her lifetime, and contributed stories to several anthologies. The stories were scattered amongst different publishers, and a couple of the volumes are now out of print. In BURNING YOUR BOATS they are gethered together for the first time; this is a key collection and a major event for Angela Carter aficionados. It brings some important work back into print, including THE BLOODY CHAMBER - her seminal collection of fairytales in which she rewrote stories such as Little Red Riding Hood and Beauty and the Beast in her characteristically subversive, earthy way. This publication in 1995 will begin a major Angela Carter promotion; a celebration of the publication of her Collected Works, and a major push for the back list, with an order form for all of the Chatto, Vintage and Virago titles. This enticing, fat volume of Carter's surprising and inventive stories will be one of the most exciting events in the promotion.

YORK NOTES ADVANCED - THE ULTIMATE LITERATURE GUIDES

This intellectual autobiography presents Angela Carter as a significant figure in twentieth-century literature, showcasing her unique blend of drama, outrage, and humor. Through her narrative, readers gain insight into her thoughts and experiences, revealing her impact as a critical thinker and a vibrant voice in the literary world. The book captures the essence of her fiction while offering a deeper understanding of her life and ideas.

Once upon a time fairy tales weren't meant just for children, and neither is Angela Carter's Book of Fairy Tales. This collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world - from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.

The book offers an intellectually stimulating exploration with a tone that is both refined and witty. It engages readers through its rational discourse while avoiding the ordinary, providing a unique perspective that invites deeper contemplation. The writing style is characterized by an appreciation for nuance and sophistication, making it appealing to those who enjoy thoughtful and articulate narratives.

These two collections of little-known stories from Europe, the Arctic, the USA, Africa, the Middle East and Asia, contain tales of alluring women, ailing warriors, enchantresses and seekers of revenge. The heroines are always centre stage, as large as life, or even larger.

The book explores the complex relationship between pornography and feminism, arguing that current ideologies fail to recognize the potential for transformation within the industry. It critiques how contemporary views of pornography contribute to the oppression of women, suggesting that a shift in perspective could lead to more empowering representations. By examining the implications of these ideologies, the author invites readers to reconsider the role of pornography in society and its impact on gender dynamics.

From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.

WITH AN INTRODUCTION BY MICHAEL MOORCOCK Angela Carter was one of the most important and influential writers of our time: a novelist of extraordinary power and a searching critic and essayist.This selection of her writing, which she made herself, covers more than a decade of her thought and ranges over a diversity of subjects giving a true measure of the wide focus of her interests: the brothers Grimm; William Burroughs; food writing, Elizbaeth David; British writing: American writing; sexuality, from Josephine Baker to the history of the corset; and appreciations of the work of Joyce and Christina Stead.

Set in 1899. Through the circus flier F̀evvers', the author mocks cliches of Gothic romance, melodrama, farce, fairytale, and utopian vision.