Mark Hallett Books

"At the beginning of the Pleistocene Ice Age, changing climates and ecosystems of Africa and Asia opened newavenues for evolutionary adaptation to both herbivores and carnivores, and especially the pantherine felids, or big cats. Despite the iconic image of big cats like leopards, tigers and lions for us, their origins and history have been only imcompletely understood, and gaps still exist in the fossil record. This book provides an updated and as comprehesive as possible understanding of the big cats' evolution, and their significance in ancient Ice Age ecosystems. It will also describe their long, often adversarial relationship to another apex predator: human beings. The rise of the pantherines is here vividly portrayed not only through the carefully documented text, based on the most recent studies of leading carnivore paleontologists, but also through accurate, detailed illustrations. Hallett's talent for "life reconstruction" and "scenic" imagery will supplement the text by helping to bring these ancient animals to life. Ending with a strong case for renewed efforts for big cat conservation, the book will motivate all the more strongly those who care about the fate of the pantherines. By showing the great evolutionary distance travelled by the big cats, the challenges already overcome and adapted to, the authors hope their call to action will all the more poignant: will well, through simple negligence, be the ones to allow this long line to come to an end?"-- Provided by publisher

William Hogarth (1697-1764) is certainly one of the most versatile, innovative and celebrated of all British artists. He lived at a time when Britain was emerging as an increasingly urbanized, commercialized and aggressively imperial power. Like many other artists, he exploited and benefited from these changes in British society. Among his contemporaries, it was Hogarth who commented most brilliantly on society - both positively and negatively. His work celebrates the benefits of commerce, politeness and patriotism while simultaneously focusing on the corruption, hypocrisy and prejudice they brought in their wake. In paint and in print we are shown the two contrasting sides of modernity. This book explores and explains the dramatic duality within Hogarth's work, and in doing so gives us a greater sense of the contradictions and complexities that existed within eighteenth-century British society.

Roger Sherman (1721-1793) was the only founder to sign the Articles of Association, the Declaration of Independence, the Articles of Confederation, and the Constitution. He served 1,543 days in the Continental Congress and was a member of the five-man committee that drafted the Declaration of Independence. At the Federal Convention of 1787 he spoke more times than all but three delegates and was the driving force behind the Connecticut Compromise. As a Representative and Senator in the new republic, he played critical roles in debates over the Bill of Rights, the assumption of state debts, and the creation of a national bank. He was also one of the leading political leaders in Connecticut for the latter part of the eighteenth century. Nevertheless, no book dedicated to his writings has ever been published. Collected Works of Roger Sherman brings together essays, documents, records of his remarks in the Constitutional Convention and in the First Federal Congress, and important representative letters Sherman wrote to a variety of correspondents, including: 1768 letter to William Samuel Johnson, emphasizing Parliaments limited authority over the colonies / 1772 letter to the theologian Joseph Bellamy, criticizing Bellamy's position on a congregation's ability to fire its minister 1777 letter to Richard Henry Lee, addressing a number of economic issues / 1789 series of letters between Sherman and John Adams, exploring the nature of republican government and the proper scope of presidential power.-- Provided by Publisher

fascinating study of the longest-running annual exhibition of contemporary art, the Royal Academy of Arts Summer Exhibition, illustrated with works by many of the great names of British art including Joshua Reynolds, Thomas Gainsborough, J. M. W. Turner, John Constable, David Hockney, Grayson Perry and Tracey Emin.

Anyone with a passion for dinosaurs or prehistoric life will cherish this once-in-a-generation masterpiece.The book includes the following features: Over 200 full-color illustrations More than 100 color photographs from museums, field sites, and collections around the world Thoughtfully placed drawings and charts Clearly written text reviewed by major sauropod researchers Descriptions of the latest sauropod concepts and discoveries A field guide to major groups of sauropods Detailed skeletal reconstructions and anatomical restorations A comprehensive glossary

Die Arbeit befaßt sich mit dem rechtlichen Verhältnis von Staat und Religionsgemeinschaften in Dänemark. Im Vordergrund steht dabei die Situation der evangelisch-lutherischen Volkskirche, die auf Grund enger Verbindung mit dem Staat eine privilegierte Stellung genießt. Nach einem Überblick über die historische Entwicklung werden die rechtlichen Grundlagen der Beziehungen von Staat und Kirchen dargestellt. Ein eigenes Kapitel ist Aufbau und Verfassung der Volkskirche gewidmet, die staatlicher Gesetzgebung unterliegt und gleichsam als Zweig der öffentlichen Verwaltung fungiert. Der Autor untersucht den Einfluß der Kirche am Beispiel verschiedener Bereiche des öffentlichen Lebens und schildert die Probleme, die sich aus der engen Verbindung ergeben. Diesen werden die Lösungsansätze der neueren dänischen Kirchenrechtswissenschaft gegenübergestellt.