Elizabeth Fremantle Book order (chronological)

I'll show you what a woman can do . . . Rome 1611.A jewel-bright place of change, with sumptuous new palaces and lavish wealth on display. A city where women are seen but not heard.Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters -- men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband.As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes.Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens.In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain.But Artemisia is a survivor. And this is her story to tell.

'Warning: this book may well take over your summer. Think Gillian Flynn meets The Miniaturist' Waterstones ___________ A Marriage. A Murder. One of them did it. Which one of them will die for it? ___________ Autumn 1615. A scandal pervades the Jacobean court. A popular, much admired couple are imprisoned for murder. SHE is young and captivating. Rescued from an abusive marriage, she is determined to make a new life with her second husband . . . Whatever the cost. ___________ HE has risen from nothing to become one of the countries most powerful men. But to get to the top, you cannot help making enemies. Now, a man is dead. And someone must pay with their life. Who has the most to lose? Who is willing to commit murder? ___________ 'A Jacobean GONE GIRL. Dark and deeply satisfying, a tale of monstrous intrigue and murder' M. J. Carter 'A twisting psychological thriller based on a real Jacobean murder. Unputdownable' The Times 'A toxic blend of glamour, intrigue and ambition' Andrew Taylor 'Riveting. I cannot recommend this highly enough' Alison Weir 'Gripping and fascinating. Fremantle is a master' Santa Montefiore

Tap. Tap. Tap on the window. Something, someone wanting to be heard. Waiting to be free. Tudor England. The word treason is on everyone's lips. Arbella Stuart, niece to Mary, Queen of Scots and presumed successor to Elizabeth I, has spent her youth behind the towering windows of Hardwick Hall. As presumed successor to the throne, her isolation should mean protection - but those close to the crown are never safe. Aemilia Lanyer - writer and poet - enjoys an independence denied to Arbella. Their paths should never cross. But when Arbella enlists Aemilia's help in a bid for freedom, she risks more than her own future. Ensnared in another woman's desperate schemes, Aemilia must tread carefully or share her terrible fate . . . The Girl in the Glass Tower brilliantly explores what it means to be born a woman in a man's world, where destiny is strictly controlled and the smallest choices may save - or destroy - us.

Het wel en wee van twee zussen met koninklijk bloed ligt in handen van eerst de katholieke koningin Mary en later van de koelbloedige Elizabeth van Engeland.

Penelope Devereux is a legendary beauty in the court of Elizabeth I. Walking the knife-edge of court, whilst ensuring that her reckless brother Essex remains the only star in the Queen's firmament - and out of the Tower - Penelope must plan for the inevitable succession of an ailing monarch.

1554: Lady Jane Grey is executed by her cousin Queen Mary. Now Lady Jane's younger sisters Katherine and Mary, cursed with the Tudor blood that saw their sister killed, face the perils of the royal court alone. Lady Katherine - young and spirited - makes dangerous romantic liaisons.

Doba bouřlivé vlády Marie I. Tudorovny. Lady Kateřina a lady Marie Greyovy jsou otřeseny brutální popravou své starší, sedmnáctileté sestry Jany, takzvané devítidenní královny. Otázka nástupnictví zůstává otevřená. Pod rukou Elizabeth Fremantleové ožívají postavy těchto dvou mladinkých dívek v dech beroucím příběhu lásky a politiky. Ani jedna ze sester se pro nesnadný život u dvora příliš nehodí. Lehkomyslná Kateřina, považovaná mnohými vlivnými osobami za právoplatnou nástupkyni na trůn, nedokáže ovládat vlastní emoce a potřebu milovat a být milována. Její sestra, přemýšlivá a bystrá Marie, má zdeformovanou páteř a je zakrslého vzrůstu, což se považuje za ďáblovo znamení. I tudorovská krev, která oběma dívkám koluje v žilách, je pro ně víc prokletím než požehnáním. Jsou figurkami na královské šachovnici, manipulované, střídavě zahrnované přízní i podezřívané ze spiknutí a velezrady. Zpočátku dívkám pomáhá dvorní malířka Levina Teerlingová, ale když na trůn nastoupí nevyzpytatelná Alžběta, život u dvora se pro sestry Greyovy stává ještě riskantnějším. Každá sama se nakonec musí rozhodovat, do jaké míry bude královně vzdorovat a hledat lásku a klid, po kterém tak touží.

Widowed for the second time at age thirty-one Katherine Parr falls deeply for the dashing courtier Thomas Seymour and hopes at last to marry for love. However, obliged to return to court, she attracts the attentions of the ailing, egotistical, and dangerously powerful Henry VIII, who dispatches his love rival, Seymour, to the Continent. No one is in a position to refuse a royal proposal so, haunted by the fates of his previous wives - two executions, two annulments, one death in childbirth - Katherine must wed Henry and become his sixth queen. Katherine has to employ all her instincts to navigate the treachery of the court, drawing a tight circle of women around her, including her stepdaughter, Meg, traumatized by events from their past that are shrouded in secrecy, and their loyal servant Dot, who knows and sees more than she understands. With the Catholic faction on the rise once more, reformers being burned for heresy, and those close to the king vying for position, Katherine's survival seems unlikely. Yet as she treads the razor's edge of court intrigue, she never quite gives up on love.