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Andrew Sarris

    This critic is most famous for his 1962 essay "Notes on the Auteur theory," which popularized this film criticism technique in America. He began his career writing for the Village Voice, critiquing films and literature before bringing the Auteur theory from France to America. There, he applied it to analyze Hitchcock's film Psycho, developing a deeper understanding of directorial influence. For many years, he served as a professor at Columbia University, educating students in international film and American cinema.

    Interviews with Film Directors
    Love and Hisses
    • 1992

      Love and Hisses

      The National Society of Film Critics Sound Off on the Hottest Movie Controversies

      • 560 pages
      • 20 hours of reading

      A collection of essays on the most hotly debated films features discussions on Spike Lee, Oliver Stone, the ratings war, and the war of the sexes by such critics as Pauline Kael, Roger Ebert, and Terrence Rafferty. Original.

      Love and Hisses