Adriana Colombo Book order (chronological)

Five linked families live out their destinies as the world is shaken by tyranny and war in the mid-twentieth century

Escape into a world of exotic intrigue and romance. A breathtaking and absorbing novel set in Malaya propelled by the superb storytelling instinct of the author of THE RICE MOTHER. Parvathi leaves her native Ceylon for Malaya and an arranged marriage to a wealthy businessman. But her father has cheated, supplying a different girl's photograph, and Kasu Marimuthu, furious, threatens to send her home in disgrace. Gradually husband and wife reach an accommodation, and the naïve young girl learns to assume the air of sophisticated mistress of a luxurious estate. She even adopts his love child and treats Rubini as her own daughter – a generous act which is rewarded by a long-wished-for son. But it is a life without passion, and Parvathi dreams of loving – and being loved – with complete abandon. When the Japanese invade Malaya, in WW2, they requisition the estate. Marimuthu dies and Parvathi is forced to accept the protection of the Japanese general who has robbed her of her home. For the first time, she experiences sexual ecstasy. And gradually, her sworn enemy becomes the lover she has always yearned for . . .

"Broken-hearted by his wife's infidelity, Nicholas leaves the comfortable life he has known in Dublin for a ramshackle house in rural Cavan. There, the house seems to speak to him, and he catches glimpses of a presence - a fragile lady in blue, a woman trapped in the memory of one regret." "June Fanning came to Cavan from England in 1941 with her Irish husband, the solid but unimaginative Robert. She knows she should be grateful for a release from her previous existence in wartime London but June is a stranger in a foreign land, an outsider. And then Robert leaves to fight in the war. Outside the house lies the orchard, trees ripe with blood red hearts, and on the other side of it is temptation." --Book Jacket.

Four weddings. Three disgruntled ex-boyfriends. Two very effective chicken fillet boob-enhancers. And one gorgeous man. It's tough being a bridesmaidWith less than an hour to go before her best friend, Grace, is to walk down the aisle, Evie is attempting to fulfil her most important bridesmaid role: to deposit the bride at the start-line at the appointed time. But with a bride famed for her chaotic sense of time, and the bride's daughter busy mashing Molton Brown into the expensive hotel carpet, minus underwear, the odds are stacked against her . . . At least she has her new 'chicken fillet' boob-enhancers to make her feel special. That is, until these are spotted poking over the top of her dress. So spotted by Jack - the most ruggedly attractive man Evie has ever laid eyes on. Evie is twenty-seven; a sparkly, down-to-earth journalist. She has never been in love and has started to fret that she never will be. Small wonder, then, that the prospect of being bridesmaid at no less than three impending weddings is one that fills her with trepidation. Things get worse when Evie learns that Jack is her friend Valentina's date. Valentina is beautiful, shallow and self-obsessed. Her dates tend to be mirror-images. Which can mean only one thing: Jack can't possibly be as good as he seems. But as they sit together talking late into the night, Evie finds herself yearning to believe he's all real.

Lara has always had an over--active imagination. Now she wonders if she is losing her mind. Normal twenty-something girls just don't get visited by ghosts! But inexplicably, the spirit of Lara's great aunt Sadie - in the form of a bold, demanding Charleston-dancing girl - has appeared to make one last request: Lara must track down a missing necklace Sadie simply can't rest without. Lara's got enough problems of her own. Her startup company is floundering, her best friend and business partner has run off to Goa, and she's just been dumped by the love of her life. But as Lara spends time with Sadie, life becomes more glamorous, she dresses in beautiful vintage frocks and their treasure hunt turns into something intriguing and romantic. Could Sadie's ghost be the answer to Lara's problems and can two girls from different times end up learning something special from each other?

Jackson, Mississippi, 1962. Black maids raise white children, but aren't trusted not to steal the silver. Some lines will never be crossed. Aibileen is a black maid: smart, regal, and raising her seventeenth white child. Yet something shifted inside Aibileen the day her own son died while his bosses looked the other way. Minny, Aibileen's best friend, is by some way the sassiest woman in Mississippi. But even her extraordinary cooking won't protect Minny from the consequences of her tongue. Twenty-two-year-old Skeeter returns home with a degree and a head full of hope, but her mother will not be happy until there's a ring on her finger. Seeking solace with Constantine, the beloved maid who raised her, Skeeter finds she has gone. But why will no one tell her where? Seemingly as different as can be, Skeeter, Aibileen and Minny's lives converge over a clandestine project that will not only put them all at risk but also change the town of Jackson for ever. But why? And for what? The Help is a deeply moving, timeless and universal story about the lines we abide by, and the ones we won't. Itis about how women, whether mothers or daughters, the help or the boss, relate to each other - and that terrible feeling that those who look after your children may understand them, even love them, better than you . . .

Trixie wakes in a hospital room after a car accident thinking that it is 2004 and that she is a woman of 25 years!