Matteo Curtoni Books

A memoir by American former actress and singer Jennette McCurdy about her career as a child actress and her difficult relationship with her abusive mother who died in 2013

**OVER 3 MILLION COPIES SOLD** WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER 'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear. 'A book I could not put down' ANN PATCHETT 'An exciting, sexy, violent Superman version of The Iliad' GUARDIAN 'Sexy, dangerous, mystical' BETTANY HUGHES

'I can make good bad and bad badder, and most fun of all, really bad seem good.' Jeffery Deaver And that is exactly what he does in this superb collection. In 'Beautiful' former supermodel Kari's stalker has followed her through retirement to her new small town home. The police can do nothing. The only thing that will end the nightmare is the stalker's death or her own. In the Edgar-nominated 'Triangle' Pete finds a true crime book - and uses the lessons contained therein to kill Mo's lover. The award-winning 'Without Jonathan' introduces us to Marissa, about to go on the first date of her life since she married Jonathan, with a man she met through the personals. As she wonders whether she will ever truly fall in love again, the man she is about to meet is killing a housewife in another part of town... And in the brand-new 'The Christmas Present', we see a side of Lincoln Rhyme we've never met before.

Lincoln and Amelia are recruited to track down a cargo ship carrying two dozen illegal Chinese immigrants, as well as the notorious human smuggler and killer known as the Ghost. But when the capture goes disastrously wrong, Lincoln and Amelia find themselves in a race to stop the Ghost before he can track down and murder the two surviving families who have vanished deep into the labyrinthine world of New York City's Chinese community. Over the next forty-eight hours the Ghost ruthlessly hunts for the families while Rhyme, aided by a policeman from mainland China, struggles to find them before they die and Sachs pursues a very different kind of policework - forming a connection with one of the immigrants that may have consequences going to the core of her relationship with her partner and lover, Lincoln Rhyme.

It begins at a prestigious music school in New York City. A killer flees the scene of a homicide and locks himself in a classroom. Within minutes, the police have him surrounded. When a scream rings out, followed by a gunshot, they break down the door. The room is empty.Lincoln Rhyme and Amelia Sachs are brought in to help with the high-profile investigation and to ferret out a master illusionist they've dubbed "the conjurer." As the fatalities rise and the minutes tick down, Rhyme and Sachs must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.

"Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . ."-- Provided by publisher

In this full-bore detective tale of scandal and mayhem in the Big Apple, Colin Harrison whips up noir for the 90s, complete with a jaded newspaperman protagonist, a mysterious femme fatale, exhaustive travelogues of the meat-grinder labyrinth of Manhattan, and an elusive jade figurine. Harrison weds a literary sensibility to this tangled tale, but the pleasures of the novel come mainly from the conventional elements of all detective fiction: the assembling of apparently disconnected pieces into a coherent puzzle.

New York, 1936. L'America e il mondo intero guardano con apprensione l'inarrestabile ascesa di Hitler. A Paul Schumann, killer di origine tedesca, è stato catturato dall'FBI e gli viene fatta una strana proposta: le autorità federali gli offrono l'immunità per i suoi crimini in cambio dell'omicidio di Reinhard Ernst, uomo di fiducia del Führer. Paul ha quarantotto ore per individuare il suo obiettivo, eliminarlo, e intanto difendersi dall'apparato di sicurezza nazista. Intanto a Berlino, il detective Willy Khol lavora per fermare la scia di sangue che Schumann si lascia alle spalle.

Sono pupe. Sono pallottole. Sono colpi sempre in canna. Sono occhi neri e nasi rotti e teste fracassate. Sono i gialli con protagonista Mike Hammer. Hanmer come martello. Veri hard-boiled. Massicci. Politicamente scorretti. Senza fronzoli. Il meglio della Guerra fredda e il meglio anche oggi. Troppi imitatori, un solo originale: Mickey Spillane. Sceneggiatore di fumetti prestato ai romanzi e al cinema. Dicono usasse la macchina per scrivere come una mitraglietta, una cartella ogni cinque minuti. Le spogliarelliste come pin-up au poil per le sue copertine. A volte le sposava pure. In una nuova traduzione, nella prima edizione integrale mai pubblicata in Italia con ricco materiale inedito, risorgono a nuova vita e ti prendono a cazzotti. Ti ucciderò (I, the Jury), La vendetta è mia (Vengence is Mine!), Una ragazza e una pistola (My Gun is Quick): un’infausta trinità in un solo volume. Tre romanzi tre, perché uno è troppo poco e un quarto ucciderebbe. Quentin Tarantino li esalta. James Ellroy ne è entusiasta. Charles Bukowski li portava in palmo di mano come esempio di sanguigna letteratura da strada. Schiere di scrittori italiani li rileggono con amore. Il noir si piange addosso mentre l’hard-boiled, il sodo, il duro, gli sferra un gancio al mento. Negli anni Cinquanta fecero scalpore e scandalizzarono, adesso sono qui per rincarare la dose e farsi (ri)scoprire come classici della letteratura popolare. Mickey Spillane è tornato. Non si leverà di torno tanto facilmente.

Una donna è assassinata da Pathe, un hacker diabolico che l'ha adescata infiltrandosi nei file del suo computer. L'uomo ha infatti un programma che gli consente di entrare nella vita delle persone che conosce in rete, per poi attirarle nella sua trappola mortale. Vuole fare il numero più alto possibile di vittime, a partire dal capo dell'unità di polizia di Los Angeles che indaga sui crimini informatici. Per fermare questa follia omicida, il detective Frank Bishop decide di ricorrere a un altro hacker, detenuto per reati analoghi a quelli di Pathe. Inizia così una partita mortale fra l'hacker "buono" e il sadico killer...