In 1913 a young second lieutenant discovers the terrible danger of pity. He had no idea the girl was lame when he asked her to dance - his compensatory afternoon calls relieve his guilt but give her a dangerous glimmer of hope. Stefan Zweig's only novel is a devastating depiction of the torment of the betrayal of both honour and love, realised against the background of the disintegration of the Austro-Hungarian Empire.
Joan Fontcuberta i Gel Books
Death in Venice tells how Gustave von Aschenbach, a writer utterly absorbed in his work, arrives in Venice as a result of a 'youthfully ardent thirst for distant scenes,' and meets there a young boy by whose beauty he becomes obsessed. His pitiful pursuit of the object of his abnormal affection and its inevitable and pathetic climax is told here with the particular skill the author has for this shorter form of fiction. (blurb) Em A Morte em Veneza, Thomas Mann apresenta uma escrita complexa e profunda, onde quase cada parágrafo pode ter várias leituras. Em contraponto, o enredo é praticamente inexistente: um homem de meia-idade viaja até Veneza, apaixona-se platonicamente por um jovem rapaz polaco extremamente atraente e morre sem sequer ter trocado uma palavra com ele.