Martina Testa Book order (chronological)

Selin, a tall, highly strung Turkish-American from New Jersey turns up at Harvard with no idea what to expect. What she doesn't expect is: - How much time she will spend thinking about language and its limitations; - An opinionated cosmopolitan Serb named Svetlana, who will become her confidante; - A mathematician from Hungary called Ivan, whom she will obsess over when she is supposed to be studying; - Feeling dangerously overwhelmed by the challenges and possibilities of adulthood. But most of all, Selin does not expect to embark on a study of precisely how baffling love can be when you are trying to forge a self...

Set in 1960s Northern California, "The Girls" follows Evie Boyd, a lonely teenager captivated by a group of free-spirited girls and their charismatic leader. As she becomes entwined in their world, Evie is drawn toward danger and violence, unaware of the dark path ahead. A spellbinding and intense coming-of-age tale.

Aimee Bender's first novel expands on her reputation as a unique voice in American fiction, following her acclaimed debut collection. This narrative showcases her distinctive style and imaginative storytelling, further establishing her talent and creativity in the literary world.

A searing, post apocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

«Il luogo sottile», secondo la mitologia celtica, è quello in cui si fa più cedevole la membrana fra il mondo fisico e quello spirituale; in questo romanzo originalissimo e affabulatorio, il luogo sottile è Varennes, piccolo centro attorno a un lago del New England dove si intrecciano le vite e le voci di un coro di personaggi: la giovane Mees, che scopre all’improvviso di avere il potere di restituire la vita a ciò che è morto, le sue amiche sul limitare dell’adolescenza, le anziane (ma tutt’altro che spente) signore della casa di riposo, un impenitente dongiovanni di mezza età, due minacciosi sconosciuti che turbano la quiete della cittadina (e saranno protagonisti di un drammatico finale) – ma anche i cani e i gatti degli abitanti, i castori che popolano il lago, perfino i licheni e i fiori che ne ricoprono le sponde. Un microcosmo brulicante di vita – misteriosa, paradossale, a volte violenta – che Kathryn Davis sa ritrarre con la maestria di una scrittrice già «classica».

Texas welder Llewelyn Moss makes a dubious discovery while out hunting antelope near the banks of the Rio Grande: a dead man, a stash of heroin, and more than $2 million in cash. Moss packs out the money, knowing his actions will imperil him for the rest of his life. He's soon on the run, left to his own devices against vengeful drug dealers, a former Special Forces agent, and a psychopathic freelance killer with ice blue eyes. Shades of Dostoyevsky, Hemingway, and Faulkner resonate in McCarthy's blend of lyrical narrative, staccato dialogue, and action-packed scenes splattered with bullets and blood. McCarthy fans will revel in the author's renderings of the raw landscapes of Mexico and the Southwest and the precarious souls scattered along the border that separates the two. Many are the men here who maim in the name of drugs. "If you killed 'em all," says the local sheriff, "they'd have to build an annex onto hell."

A connection of loosely connected autobiographical stories describing the traumatic relationship of a teenager with his mother and their life on the road.