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Agostino Lombardo

    The Oxford Shakespeare: Titus Andronicus
    Measure for Measure
    Universale economica. I classici - 43: Il mercante di Venezia. Testo originale a fronte
    Howards End - Tie-In Edition
    The New Cambridge Shakespeare: A Midsummer Night's Dream
    Tutto il teatro
    • Tutto il teatro

      Troli e Cressida, Coriolano, Tito Andronico, Romeo e Giulietta, Timone d'Atene, Giulio Cesare

      • 391 pages
      • 14 hours of reading

      "Non appartenne a un'epoca, ma a tutti i tempi", disse di Shakespeare Ben Jonson. William Shakespeare è considerato infatti da sempre il più grande autore teatrale mai esistito. La straordinaria energia creativa e la vastità della sua produzione suscitarono nei romantici l'immagine di una "forza immane della natura", di un "genio universale". Oggi, dopo oltre quattro secoli dalla nascita, Shakespeare non cessa di stupirci per la complessità, la bellezza, la varietà e la "modernità" dei personaggi e delle trame.

      Tutto il teatro
      5.0
    • 'A Midsummer Night's Dream' is perhaps Shakespeare's most popular comedy, & also a profound, archetypal play. In this new edition, the editor takes account of the number of important professional theatre productions & the large output of scholarly criticism on the plays which have appeared in recent years.

      The New Cambridge Shakespeare: A Midsummer Night's Dream
      4.0
    • Howards End - Tie-In Edition

      • 271 pages
      • 10 hours of reading

      The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist -- all intersect at an estate called Howards End. The fate of this country home symbolizes the future of England in an exploration of social, economic, and philosophical trends during the post-Victorian era.

      Howards End - Tie-In Edition
      4.0
    • In this lively comedy of love and money in sixteenth-century Venice, Bassanio wants to impress the wealthy heiress Portia but lacks the necessary funds. He turns to his merchant friend, Antonio, who is forced to borrow from Shylock, a Jewish moneylender. When Antonio's business falters, repayment becomes impossible--and by the terms of the loan agreement, Shylock is able to demand a pound of Antonio's flesh. Portia cleverly intervenes, and all ends well (except of course for Shylock).

      Universale economica. I classici - 43: Il mercante di Venezia. Testo originale a fronte
      3.9
    • Measure for Measure

      • 128 pages
      • 5 hours of reading

      Folger Shakespeare Library The world's leading center for Shakespeare studies Freshly edited text based on the best early printed version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by leading Shakespeare scholar, Christy Desmet, providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.

      Measure for Measure
      3.9
    • The Oxford Shakespeare: Titus Andronicus

      • 240 pages
      • 9 hours of reading

      The introduction reviews the few known facts about this early Shakespeare play and discusses the puzzling problems of its date and authorship. The text has been freshly edited with the aim of presenting the play as revised for the first recorded performance in 1594, with the addition of stage business from the prompt-copy from which the Folio edition derives.

      The Oxford Shakespeare: Titus Andronicus
      3.8
    • "Representing the full richness of Shakespeare's writing, the World's Classics offer the best value critical editions of his plays. Authoritative and up to date, they are 'not simply a better text but a new conception of Shakespeare'." --Publisher description

      Anthony and Cleopatra: The Oxford Shakespeare
      3.8