Arjaan van Nimwegen Books

Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle. The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.

Introducing a major literary talent, this novel offers a story filled with wit, suspense, and questionable morality, narrated by a captivating and inimitable voice. Balram Halwai is a complex character—servant, philosopher, entrepreneur, and murderer. Over seven nights, illuminated by a striking chandelier, he recounts his journey to success, relying solely on his wits. Born in the depths of India, Balram's life changes when he becomes a driver for his village's wealthiest man and his son. From behind the wheel of their Honda City, Balram discovers a new world. While his peers indulge in the sensationalism of Murder Weekly and engage in the societal dynamics of the Great Rooster Coop, Balram observes his employers bribing officials and navigating their own version of the Coop. He learns to siphon gas, deal with corruption, and find unconventional ways to escape his circumstances. Balram's perspective reveals the stark contrasts of India—its cockroaches and call centers, ancient traditions and modernity. With undeniable charisma, he illustrates that while religion may not foster virtue and money doesn't solve every issue, decency can still exist in a corrupt world. This provocative debut is an international sensation, showcasing a unique blend of mischief and depth.

This Medea is intelligent and cynical, slighted by a husband and her gender. She is a woman who craves revenge for the fate of being born a woman and thus rendered powerless in a world ruled by men. Vann strips away the softer parts of Medea's character as ruthlessly as Medea slits throats ... The centrepiece of Bright Air Black is the butchering of Pelias, a long and magnificently gruesome scene, described in stomach-churning detail ... Vann leaves us with the troubling paradox that murderous Medea is also a devoted mother ... Vann evokes this visceral, sensual, brutal world of warring city states, capricious gods and fragile human agency in a fractured prose style, reminiscent of ancient Greek drama and poetry. Short poetic phrases pile up, fall away, stop short. Powerful internal rhythms build and subside, like the waves the Argonauts sail over ... The time and the place may be very different from his previous novels, but Bright Air Black shares the same central structure of a searing family drama set against a backdrop of untamed nature ... At the heart of this ambitious, dazzling, disturbing and memorable novel lies the uneasy juxtaposing of the wild and the civilised, and the complex, shifting relationship between the two. Rebecca Abrams Financial Times

'Startlingly brilliant' Spectator 'A triumph' Daily Mail Aged nine, Caitlin spends almost every afternoon at the local aquarium while her mother works overtime at her construction job. Caitlin's whole world is her school, her mother, occasionally her mother's boyfriends, and the fish at the aquarium. She has no friends at school, apart from Shalini, who is making a paper mache Hindu reindeer with her, and no other family. But Caitlin has made a friend at the aquarium; an old man who seems to know something about Caitlin, something she doesn't even know about herself.

When the construction of their dream cabin on an isolated Alaskan island is interrupted by an early Arctic winter, Gary and Irene find their marriage unraveling as they become stranded with their daughter, Rhoda, who watches helplessly as her parents drift further apart.

Every building tells a story: but in the jungle of Mumbai, one building - and one man - stands on the borderline between India's past, and its future...

Roy is still young when his father, a failed dentist and hapless fisherman, commits suicide on the deck of his boat. Throughout his life, Roy returns to that moment, gripped by its memory and the shadow it casts over his small-town boyhood. Finally, Roy lays his father's ghost to rest. But not before he exacts a gruelling, exhilarating revenge.

Anna Kerrigan, nearly twelve years old, accompanies her father to visit Dexter Styles, a man who, she gleans, is crucial to the survival of her father and her family.Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women hold jobs that were once the preserve of men. She becomes the first female diver, the most dangerous of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father's life and the reasons he might have vanished.

One of the crowning achievements of medieval literature, The Song of Roland tells the story of the battle of Roncesvals in 778 and enters into the very soul of a gallant, brutal, and tumultuous age. At the center of this heroic epic is Roland, the supreme embodiment of the chivalric ideal who leads his men into combat and fights valiantly to the death. But Roland is just one of the superbly defined figures in the panoramic drama. The poem’s vivid portrayals of Ganelon’s treason, Roland’s last stand, Charlemagne’s campaign of vengeance, and the final act of retribution are justly famous. Equally fascinating is the sophisticated use of repetition and juxtaposition that gives this work its remarkable organic unity and time-defying dimension of vision. As Robert Harrison, the translator of this acclaimed edition, explains, “The carefully balanced structure of The Song of Roland is designed like a folding mirror to reflect the battle between Good and Evil at all levels of meaning.” Quite possibly the oldest and surely the greatest chanson de geste, The Song of Roland is a sophisticated and enduring work that remains a masterpiece to this day. Translated and with an Introduction by Robert Harrison And an Afterword by Guy Gavriel Kay

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