These autobiographies of Afro-American ex-slaves comprise the largest body of literature produced by slaves in human history. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts.
Challenging the notion of Charlotte Bronte as an isolated figure, this study situates her work within the rich context of Victorian psychological discourse. Sally Shuttleworth utilizes extensive local research, including newspaper articles and medical texts, to examine the interplay of economic, social, and psychological themes in the 19th century. The analysis delves into how Bronte's fiction responds to the era's complex views on sexuality and insanity, highlighting the influence of medical and psychological surveillance on her writing.