Lorrie Moore Books

The publication of "Self-Help" introduced readers to Lorrie Moore's refined blend of humor and insight, and made her one of the best-loved writers of her generation. These stories, told in a voice that is at once witty, melancholy, and bravely honest, paint a tableau of lovers and family, of loss and pleasure, desire and memory. From the young secretary who by day hopes someone will notice her Phi Beta Kappa key and by night makes love to a married man she met at a Florsheim shoe store, to the shattering of a marriage by the shores of a tranquil lake, "Self-Help" is a unique, enduring work of short fiction.

These humorous and poignant tales of lovers, loneliness, and never-quite- belonging, delivered in her characteristically knowing, wry voice, confirm Lorrie Moore as a master of the short story form.

Collects forty short stories published between 1915 and 2015, from writers that include Ernest Hemingway, John Updike, and Alice Munro that exemplify their era and stand the test of time --

Lorrie Moore's dazzling collection of stories is remarkable for its range, emotional force and dark humour, and for the sheer beauty and power of its language. It unfolds a startlingly brilliant series of portraits of the young, the hip, the lost, the unsettled and the unhinged of modern-day America. In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane with all of the wit, brio and verve that have made her one of the best storytellers of our time.

In Like Life's eight exquisite stories, Lorrie Moore's characters stumble through their daily existence. These men and women, unsettled and adrift and often frightened, can't quite understand how they arrived at their present situations. Harry has been reworking a play for years in his apartment near Times Square in New York. Jane is biding her time at a cheese shop in a Midwest mall. Dennis, unhappily divorced, buries himself in self-help books about healthful food and healthy relationships. One prefers to speak on the phone rather than face his friends, another lets the answering machine do all the talking. But whether rejected, afraid to commit, bored, disillusioned or just misunderstood, even the most hard-bitten are not without some abiding trust in love.

In these tales of loss and pleasure, lovers and family, a woman learns to conduct an affair, a child of divorce dances with her mother, and a woman with a terminal illness contemplates her exit. Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales" "marked the introduction of an extravagantly gifted writer.

A collection of sort stories about life, love and fear, full of humour and poignantly written by an American master storyteller.

The Best American series, established in 1915, highlights exceptional short fiction and nonfiction annually. Each volume features a selection process where a series editor reviews numerous periodicals, narrowing down hundreds of works to around twenty outstanding pieces, chosen by a renowned guest editor. This distinctive approach contributes to the series' reputation as the most respected and popular anthology of its kind, showcasing the best literary talent in the country.

Benna Carpenter is an art history professor who wears glass jewelry, sings in local nightclubs, chain-smokes, runs an aerobics class for the elderly, teaches poetry, and has an adorable and devoted six-year-old daughter. Yet Benna is disillusioned, cynical and bitter. With brilliant imagination and wit, this extraordinary novel explores Benna's world of misheard exit lines, love gained and lost truths almost told, and fragile and desperate hope.

This novel follows the lives of two 11-year-olds intent on escaping childhood. As the strength of their friendship is tested repeatedly, they begin to take their first, exhilarating steps towards adulthood.

Adrienne is living in a puritanical age, when the best compliment a childless woman can get is: 'You'd make a terrific mother'. That's when she goes to her friends' Labor Day picnic and accidentally kills their baby. The shock of this scene is expertly packed into two brief paragraphs. What follows is Adrienne's retreat from life and her attempt to return to it. Her sharp scepticism about the people around her is achingly funny. Yet beyond derision there is forgiveness and something along the lines of love.

Shortlisted for the Frank O'Connor International Short Story Award In these eight masterful stories, Lorrie Moore explores the passing of time and summons up its inevitable sorrows and comic pitfalls. Gimlet-eyed social observation, the public and private absurdities of American life, irony and half-cracked love wend their way through these stories, in which Moore is always tender, never sentimental and often heartbreakingly funny.

He is living in an America hurtling headlong into hysteria, after all. High up in a New York hospice, he sits with his beloved brother Max as he slips from one world into the next. A call from Illinois summons him back to his troubled old flame Lily, the great love of his life.

Lorrie Moore's first novel since A Gate at the Stairs--a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heartFrom "one of the most acute and lasting writers of her generation" (Caryn James; The New York Times)--a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things--seen and unseen.A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . .With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

NATIONAL BESTSELLER • From “one of the most acute and lasting writers of her generation” (The New York Times) comes a piercing novel of race, class, love, and war in America. Twenty-year-old Tassie Keltjin, the daughter of a gentleman farmer, has come to a university town as a student. When she takes a job as a part-time nanny for a mysterious and glamorous family, she finds herself drawn deeper into their world and forever changed. “An indelible portrait of a young woman coming of age in the Midwest in the year after 9/11…. Moore has written her most powerful book yet.” —The New York Times

„Aben ist ein Wichtel und der beste Spielzeugbauer in der geheimen Werkstatt des Weihnachtsmanns. Aber er ist auch sein ungezogenster Wichtel. Ständig ärgert er die anderen Wichtel, trägt jeden Tag seinen Sonntagsanzug und hat richtige Starallüren. Deshalb muss er am Heiligabend zur Strafe draußen auf den Dächern die Rentiere beaufsichtigen, während die anderen Wichtel die Geschenke verteilen. Beim allerletzten Haus schleicht Aben ihnen jedoch heimlich durch den Kamin hinterher – und verpasst die Abfahrt. Nun muss er ein Jahr warten, bis der Weihnachtsmann zurückkehrt und ihn zum Nordpol mitnimmt. Und es ist keineswegs sicher, dass der im nächsten Jahr überhaupt hier einkehren wird. Denn Eva, das kleine Mädchen, das in dem Haus wohnt, entpuppt sich schnell als eine mindestens ebenso große Landplage wie Aben. Er hat nur eine Chance – er muss Eva bis zum nächsten Heiligabend in ein artiges kleines Mädchen verwandeln. “

Eheleute, die nach der Trennung den Ring nicht vom Finger bekommen; andere, die ihn weiter tragen, weil er ihnen einfach zu gut steht; eine Frau, der, nichts ahnend, während ihr Mann im Keller werkelt, die Scheidungspapiere zugestellt werden; Väter, die die Biege machen; ein Paar, das die Reise in die Karibik auch nach der Trennung durchzieht. »Das Ende der Liebe war ein großer Zombiefilm.« Lorrie Moores Figuren stehen an einem Scheideweg. Das Leben ist sie hart angegangen, aber in ihrem ganz alltäglichen Mut stemmen sie sich Fehlschlägen und Enttäuschungen entgegen. »Alle Männer sind Aliens!«, ruft eine ihrer strauchelnden Heldinnen empört und verwundert zugleich. Und doch beginnen sie immer wieder, sich auf das Wagnis Liebe einzulassen. Scharfsinnig, lakonisch, traurig und doch tröstlich, Lorrie Moore ist ihren Figuren ganz nah. Sie nimmt das Außergewöhnliche ihrer gewöhnlichen Existenz in den Blick, behütet und bewahrt ihre Würde. »Danke, dass ich kommen durfte« ist ein leuchtendes, strahlendes Buch, beißend in seinem Humor, mitreißend in seiner emotionalen Kraft.