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Bernard Rudofsky

    April 13, 1905 – March 12, 1988

    Bernard Rudofsky was an architect and designer whose entire oeuvre was shaped by a lifelong fascination with the body and the use of our senses. His work, often provocative, explored the profound connection between the human form and its environment. Rudofsky gained renown for his influential exhibitions and accompanying catalogs, which challenged conventional notions of architecture, fashion, and lifestyle. His innovative approach to design and critical thinking left an indelible mark across various disciplines.

    Sparta/Sybaris
    The Kimono Mind
    The Unfashionable Human Body
    Architecture Without Architects
    Architecture without architects : a short introduction to non-pedigreed architecture
    Lessons from Bernard Rudofsky: life as a voyage
    • 2007

      What we need is not a new way of building but a new way of living—so the subtitle of one of Rudofsky’s last works. Setting out from the assumption that the design of every single room in a house is based on a physical function: one place to lie the body down to rest, another to take in food, a third to step into a tub to bath, Bernard Rudofsky (1905-88) believed architecture served to stimulate the senses and refine everyday culture. His conception of architecture and design is more topical today than ever. Internationally renowned in his day for the exhibitions he created for MoMA in the 1940s and 1950s, today he is remembered above all for his sharp-tongued, witty writings, which still speak to a broad audience. „Lessons from Bernard Rudofsky“ is more than a collection of essays by experts and introduction to the complex concept of architecture and living of a cosmopolitan and unconventional thinker; the rich visual material conveys his philosophy: „I believe that sensory pleasure should take precedence over intellectual pleasure in art and architecture.“

      Lessons from Bernard Rudofsky: life as a voyage
    • 1987

      In this book, Bernard Rudofsky steps outside the narrowly defined discipline that has governed our sense of architectural history and discusses the art of building as a universal phenomenon. He introduces the reader to communal architecture--architecture produced not by specialists but by the spontaneous and continuing activity of a whole people with a common heritage, acting within a community experience. A prehistoric theater district for a hundred thousand spectators on the American continent and underground towns and villages (complete with schools, offices, and factories) inhabited by millions of people are among the unexpected phenomena he brings to light. The beauty of "primitive" architecture has often been dismissed as accidental, but today we recognize in it an art form that has resulted from human intelligence applied to uniquely human modes of life. Indeed, Rudofsky sees the philosophy and practical knowledge of the untutored builders as untapped sources of inspiration for industrial man trapped in his chaotic cities.

      Architecture without architects : a short introduction to non-pedigreed architecture
    • 1974