Charlotte Perkins Gilman Books

This collection features two previously unpublished Gothic stories, 'The Unwatched Door' and 'Clifford's Tower,' alongside all of Charlotte Perkins Gilman's gothic tales and poetry. It offers a unique glimpse into her literary contributions, showcasing themes of the supernatural and psychological depth. Although it presents a different cover, the contents mirror those of the Complete Gothic Collection edited by Aric Cushing, making it a valuable addition for fans of Gilman's work and Gothic literature.

Exploring themes of personal transformation and political change, this collection features "The Yellow Wallpaper" alongside nine other significant stories by notable American women authors. First published in 1892, Gilman's work serves as both a landmark in women's fiction and a feminist manifesto. The anthology showcases the diverse voices of women writers who have made a profound impact through their storytelling, emphasizing the transformative power of imagination in literature.

Prominent American author, lecturer, and social reformer Charlotte Perkins Gilman (1860–1935) is best known for her 1898 treatise Women and Economics, which ascribed gender inequality to women’s economic dependence upon men, and for her 1892 short story “The Yellow Wall-Paper,” which depicts a woman’s descent into madness. However, she began her career as a poet. Her first authored book, a collection of verse entitled In This Our World, was issued in four different editions between 1893 and 1898. While virtually all of Gilman’s later poems appeared in her monthly magazine, The Forerunner (1909–16), or in The Later Poetry of Charlotte Perkins Gilman (1996), Gilman’s early verse has been largely inaccessible to modern readers, and dozens of her poems have never been collected. This volume, coedited by Scharnhorst and Knight, includes all 149 poems in the 1898 edition of In This Our World as well as 112 vagrant poems that appeared in a variety of newspapers and magazines. This critical volume features a comprehensive introduction and extensive notes. Gilman devotees and a new generation of readers will find this edition an indispensable resource.

This edition showcases the influential feminist fiction of a nineteenth-century pioneer, highlighting her innovative narratives that challenged societal norms. It offers a comprehensive look at her work, providing insights into her themes of gender equality and empowerment. Readers can explore the historical context and the impact of her writings on both literature and feminist movements, making it a significant contribution to the understanding of women's roles in literature during that era.

2018 Reprint of 1892 Edition. This short story is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression - a slight hysterical tendency", a diagnosis common to women in that period. Gilman used her writing to explore the role of women in America at the time. She explored issues such as the lack of a life outside the home and the oppressive forces of the patriarchal society. Through her work Gilman paved the way for writers such as Alice Walker and Sylvia Plath.

Exploring the social and economic aspects of motherhood, the book delves into how the upbringing of children can transform American society. Gilman challenges conventional views, advocating for the betterment of society through thoughtful child development. Her innovative ideas prompt readers to reconsider the role of mothers and the impact of nurturing on future generations.

A prominent figure in feminist literature, Charlotte Perkins Gilman is celebrated for her advocacy of social reform and her unorthodox lifestyle. Her semi-autobiographical short story, "The Yellow Wallpaper," reflects her personal struggles with postpartum psychosis and serves as a powerful critique of the treatment of women. Gilman's contributions to humanism and feminism have made her a role model for future generations, earning her a place in the National Women's Hall of Fame.

Exploring themes of mental health and gender inequality, the narrative follows a young woman suffering from postpartum depression, confined to a room as part of a misguided "rest cure." Her obsession with the room's yellow wallpaper symbolizes her struggle against societal constraints and personal entrapment. As she descends into madness, she perceives herself and other women as trapped within the wallpaper's chaotic patterns. The story serves as a powerful critique of the oppressive norms of the late 19th century, reflecting Gilman's own experiences and advocating for female emancipation.

This new collection of short stories highlights work of early Feminist Charlotte Gilman as an editor, activist and writer. She focused on how women were not just stay-at-home mothers they were expected to be, but people who had dreams, able to travel and work as men did, and whose goals included a society where women were just as important as men.

A collection of writings from Charlotte Perkins Gilman, the most important American feminist of the early twentieth century. Includes the chilling and hugely influential 'The Yellow Wallpaper', which documents the powerless of women in Victorian marriage.

Exploring themes of mental health and societal perceptions, the narrative centers on a woman grappling with her husband's dismissive diagnosis of "temporary nervous depression." As she navigates the constraints imposed by those around her, the story delves into the complexities of female identity and autonomy in a patriarchal context. The protagonist's struggle raises critical questions about the validity of her experiences and the societal tendency to undermine women's voices.

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Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement." (wikipedia.org)

Charlotte Perkins Gilman’s provocative utopian novel Herland, first published in 1915, tells its story through the observations of three male explorers who discover a land inhabited solely by women; the women reproduce through parthenogenesis (asexual reproduction). Initially skeptical, the explorers come to realize that Herland has evolved into an ideal, cooperative, matriarchal society—fertile, peaceful, and clean—by selectively reproducing the women’s best attributes. As the explorers study Herland culture, they also rethink their own. This edition reproduces the text originally published in The Forerunner in 1915, including several passages omitted from other editions. Stories, poetry, and nonfiction writing by Gilman on topics such as birth control, capital punishment, and eugenics provide a rich context for the novel. Materials originally published alongside Herland in 1915, many of which have never before been republished, are also included, as is an excerpt from the sequel, With Her in Ourland.

Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wall-Paper and Other Stories makes available the fullest selection of her short fiction ever printed. It features her pioneering feminist masterpiece, her neglected stories contemporary with The Yellow Wall-Paper, and her later explorations of `the woman of fifty'. The introduction to this edition places Gilman in the cultural and historical context of the American divided self, her Beecher heritage, and her contribution to the female Gothic.

Written in 1915, this text is about three male explorers and the utopian female society they stumble upon. This is a community where war, famine and other man-made disasters do not exist.

Collected fiction and essays by a pillar of the American feminist canon--with an introduction by Halle Butler, a National Book Award Foundation "5 Under 35" honoree and a Granta Best Young American Novelist Charlotte Perkins Gilman was a writer, editor, and journalist whose poems, articles, short stories, and novels had a single focus: equality for women. Although best known for "The Yellow Wall-Paper," her spine-chilling takedown of the "rest cure" prescribed for postpartum depression, Gilman spent her life advocating for a woman's right to an education, to creative self-expression and economic self-sufficiency, and an end to the consumerism that blinded women to the ways that society held them back. This collection brings together Gilman's best-known work with her lesser-known satirical short stories to provide an overarching introduction to this relentless ideologue. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

At the turn of the century, Charlotte Perkins Gilman was a celebrity—acclaimed as a leader in the feminist movement and castigated for her divorce, her relinquishment of custody of her daughter, and her unconventional second marriage. She was also widely read, with stories in popular magazines and with dozens of books in print. But her most famous short story, the intensely personal "The Yellow Wallpaper," read as a horror story when first published in 1891 and lapsed into obscurity before being rediscovered and reinterpreted by feminist scholars in the 1970s, and her landmark feminist utopian novel, Herland, remained unavailable for more than sixty years.Herland --The unexpected --My poor aunt --The yellow wallpaper --Three Thanksgivings --Her housekeeper --When I was a witch --Martha's mother --The boys and the butter --Making a living --Old Mrs. Crosley --Turned --Making a change --A mischievous rudiment --Mrs. Elder's idea --Her beauty --If I were a man --Spoken to --Dr. Clair's place --Joan's defender --Mrs. Beazley's deeds

Set in a feminist utopia, the novel explores themes of gender equality and social reform through a visionary society. Originally serialized in The Forerunner, it represents a significant contribution to early 20th-century utopian literature. As the first installment of a trilogy, it lays the groundwork for Gilman's subsequent works, including the renowned Herland and its sequel. The narrative reflects the cultural and social aspirations of its time, offering a thought-provoking perspective on women's roles in society.

"The Yellow Wall-Paper" is a short story that was written in the late 1800s by Charlotte Perkins Gilman, after she suffered a serious downturn with depression, upon taking a doctor's advice to engage in the "rest cure" and abandon creative pursuits forever. Now, more than a hundred years later, this image-rich work has been interpreted by artist Sara Barkat -in a manner that combines both philosophical thought and visual intrigue. Sometimes understood as feminist literature, sometimes understood as exploring mental illness, and sometimes understood as both at the same time, this story is oddly poetic even when it is chilling and challenging. The tale contains subtexts that touch upon the nature of Imagination, as well as the act of Writing, and the artist has enhanced these subtexts with the inclusion of Victorian flower symbols, such as thistle for independence and lupine for imagination. Watch, too, for the appearance of some of history's most imaginative art, refashioned and in dialog with the story at hand, which gives a sense of timelessness and broader societal import to the tale. / Buy now!

Charlotte Perkins Gilman's first poetry collection, along with nearly eighty uncollected pieces, showcases her distinctive style and fervent passion. "In This Our World" offers a rich exploration of themes central to her work, making it an essential addition for poetry enthusiasts and collectors alike. This compilation highlights Gilman's literary contributions, ensuring her voice resonates with both new readers and devoted fans.

This book is a reproduction of a historical work, specifically designed in large print to enhance readability for individuals with impaired vision. Published by Megali, a house dedicated to making historical texts accessible, it aims to preserve the original content while catering to the needs of readers who benefit from larger text.

Exploring themes of women's health and mental illness, this classic tale delves into the struggles faced by women in a patriarchal society. The narrative follows a woman's descent into madness as she becomes obsessed with the wallpaper in her room, serving as a powerful metaphor for her confinement and the societal constraints placed upon her. Celebrated for its early feminist perspective, it remains a significant and influential work that resonates with contemporary discussions about gender and mental health.

Focusing on the role of the home as a vital human institution, this sociological study explores the challenges and inequities of domestic life, particularly from a feminist perspective. Charlotte Perkins Gilman, drawing from her experiences as a social reformer, examines how home life affects women and advocates for change. Through her insights, she aims to highlight the importance of addressing these issues to promote equality and improve the overall societal structure.

Exploring the theme of mental health and the constraints placed on women, the narrative follows a woman confined to a room by her husband, purportedly for her well-being. Isolated for three months, she becomes fixated on the room's disturbing yellow wallpaper, symbolizing her struggle against oppression. This powerful short story serves as a critique of 19th-century attitudes towards women's autonomy, illustrating the detrimental effects of enforced domesticity on women's mental and emotional health.

Political activism and feminist themes are central to this collection of poems by Charlotte Perkins Gilman. Drawing from her experience as a social reformer, Gilman uses poetry to champion women's suffrage and advocate for women's rights. While she is well-known for her prose, this work highlights her linguistic prowess and deep commitment to social change, making it a significant contribution to the suffrage movement.

Exploring themes of mental health and gender roles, this short story offers a poignant critique of 19th-century attitudes towards women's well-being. The narrative unfolds through the journal entries of a woman confined to a nursery by her physician husband, who believes she suffers from a temporary nervous condition. As her isolation deepens, she becomes increasingly obsessed with the room's yellow wallpaper, symbolizing her struggle for autonomy and identity. This work is a significant early contribution to feminist literature, highlighting the oppressive nature of societal expectations.

The book presents a faithful reproduction of the original work, preserving its content and format. It aims to provide readers with an authentic experience of the text as it was initially created, ensuring that the essence and nuances of the original are maintained. This edition is perfect for those seeking to explore historical literature or for collectors interested in classic works.

This work is a reproduction of an original text, produced by Megali, a publishing house dedicated to making historical works accessible through large print. This initiative aims to assist individuals with impaired vision, ensuring that important literary and historical content is available to a wider audience.

Feminist Fiction takes center stage in this curated anthology, showcasing seven impactful short stories by renowned authors. Each selection was chosen for its significance and resonance within the feminist literary landscape. Readers will encounter powerful narratives such as "The Yellow Wallpaper" by Charlotte Perkins Gilman and "A Jury of Her Peers" by Susan Glaspell, alongside works by Kate Chopin, Gertrude Stein, Edith Wharton, Edith Nesbit, and Katherine Mansfield. This collection invites exploration of themes related to women's experiences and perspectives.

The book critiques patriarchy and its impact on society, emphasizing the need for gender equality and the partnership between men and women. Gilman challenges deeply rooted gender roles, revealing their influence on culture, politics, and relationships. As a foundational text of American feminism, it inspires activists to fight against oppression. This edition also includes "The Yellow Wallpaper," which reflects Gilman's personal struggles with gender oppression, enhancing the understanding of her insights and the call for societal change.

This book is a reproduction of a historical work, presented in large print to enhance accessibility for individuals with impaired vision. Published by Megali, a house dedicated to making literature more readable, it aims to preserve and share significant texts while ensuring inclusivity for all readers.

The collection features two significant works by Charlotte Perkins Gilman, highlighting her exploration of women's experiences. "The Yellow Wallpaper" presents a haunting narrative of a woman's mental decline, reflecting societal constraints on women's mental health. In contrast, "What Diantha Did" offers an early feminist perspective, showcasing a woman's quest for independence and self-fulfillment. Together, these stories emphasize themes of mental illness and the struggle for women's rights.

This book is a reproduction of an original historical work, published by Megali, a company dedicated to creating large print editions to enhance accessibility for individuals with impaired vision. The focus on readability ensures that more readers can engage with important historical texts.

Moving the Mountain is a feminist utopian novel written by Charlotte Perkins Gilman. It was published serially in Perkins Gilman's periodical The Forerunner and then in book form, both in 1911. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. The novel was also the first volume in Gilman's utopian trilogy; it was followed by the famous Herland (1915) and its sequel, With Her in Ourland (1916). John Robertson, lost in Tibet for thirty years, is finally brought back to America by his sister Nellie, only to find his society completely transformed.

Here is a cry for feminist revolution. In this work, Charlotte Perkins Gilman details how male-dominated culture has, through the very social devices that keep it in place, conspired to produce greater human suffering than is truly necessary. ...

The preface sets the stage for the book, providing insight into the author's motivations and the themes explored within. It often outlines the context in which the book was written, offering readers a glimpse into the foundational ideas and inspirations that shaped the narrative. This section may also highlight the significance of the work in relation to contemporary issues or historical events, inviting readers to engage with the content on a deeper level.

THE YELLOW WALLPAPER is a story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.

A prominent figure in American humanism and feminism, Charlotte Perkins Gilman is celebrated for her advocacy of social reform and her unique lifestyle. Known for her unorthodox ideas, she served as an inspiration for future feminists. Her semi-autobiographical short story "The Yellow Wallpaper," written during a challenging period of postpartum psychosis, remains her most recognized work. Gilman's contributions to literature and social thought have earned her a place in the National Women's Hall of Fame, highlighting her lasting impact on feminist discourse.

»Da gehst du hin und rechnest gegen kalte Dollar die Arbeit auf, die jedes anständige Mädchen glücklich ist, für seine Familie zu tun!« Die US-amerikanische Schriftstellerin und Frauenrechtlerin Charlotte Perkins Gilman entwirft 1910 in ihrem Roman die Idee der Frauenbefreiung durch Professionalisierung und Auslagerung von Hausarbeit. Die junge Diantha macht sich auf, selbständig und Unternehmerin zu werden. Sie kann ihren Geliebten nicht heiraten, solange dieser für den Unterhalt seiner Mutter und beider Schwestern aufkommen muss, da er sich einen zweiten Haushalt nicht leisten kann. Diantha bricht mit den Konventionen, beschließt nicht zu warten, verlässt Geliebten und Eltern, arbeitet als Dienstmädchen und gründet schließlich ein Unternehmen. Sie bietet haushaltsnahe Dienstleistungen an, baut einen Lieferdienst für Essen auf und übernimmt schließlich die Führung eines Hotels. Dianthas Aufstieg wird hier zur konkreten Utopie, die gleichermaßen als soziale Innovation und als Geschäftsmodell entwickelt wird. Diantha ermutigt andere Frauen und wird von ihnen in ihrem Aufstieg vorangetrieben. Der Roman, in Gilmans eigener Monatszeitschrift The Forerunner als Fortsetzungsroman abgedruckt, erscheint nun erst mals auf Deutsch.

Charlotte Perkins Gilman (1860-1935) ist das zweite Kind von Mary A. Finch und Frederick B. Perkins, einem Neffen von Harriet Beecher Stowe, der Autorin von „Onkel Toms Hütte“. Der Vater, Schriftsteller und Bibliothekar, verlässt die Familie bald. Die Mutter schlägt die Familie mit Gelegenheitsarbeiten durch. Gilman besucht die Kunstgewerbeschule, danach entwirft sie Grußpostkarten und arbeitet als Hauslehrerin. 1884 heiratet sie den Kunstmaler Charles Walter Stetson und bekommt von ihm 1885 eine Tochter. Nach der Geburt hat Charlotte Perkins Gilman tiefe Depressionen. Ein Spezialist in Philadelphia verordnet ihr eine Ruhekur, bei der jegliche geistige Anstrengung eingeschränkt und das Schreiben untersagt ist. Durch diese Kur fühlt sie sich so zerrüttet, dass sie ihre Familie verlässt und zu einer Freundin nach Pasadena in Kalifornien flieht. 1892 veröffentlicht sie mit „Die gelbe Tapete“ ihre erste Kurzgeschichte, die auf den Erfahrungen aus der Zeit ihrer Nervenkrise basiert. Die Veröffentlichung führt zu heftigen Reaktionen. „Die gelbe Tapete“ gilt bis heute als literarisches Meisterwerk. Nach Charlotte Perkins Gilman 1934 an Brustkrebs erkrankt war, nahm sie sich ein Jahr später, mittels einer Überdosis Chloroform, das Leben.

Charlotte Perkins Gilmans einflussreichste Werke in einem Band: Mit der feministischen Horrorerzählung »Die gelbe Tapete« gelang ihr 1892 der Durchbruch. Eine junge Frau wird nach der Geburt ihres Kindes zu strikter Schonung verdammt, im Bett einer Dachkammer mit vergitterten Fenstern soll sie sich erholen, von ihrem Ehemann und dem Arzt streng überwacht. Doch die Muster der Wandtapete führen ein unheilvolles Eigenleben ... In Gilmans utopischem Roman »Herland« brechen drei abenteuerlustige Männer auf zu einem geheimnisvollen »Frauenland«; die Realität der friedlichen Frauengesellschaft wird das Welt- und vor allem Frauenbild der drei für immer verändern. Als erste klassisch feministische Utopie ist »Herland« in die Literaturgeschichte eingegangen. Endlich eine deutsche Ausgabe mit beiden Schlüsseltexten der großen amerikanischen Frauenrechtlerin Aufrüttelnd, fesselnd und schnell gelesen: zwei feministische Klassiker der Weltliteratur Für Leser*innen von Edgar Allen Poe und Virginia Woolf

Eine junge Frau namens Ellador entdeckt unsere Welt. Was sie entdeckt, wie sie das findet und was sie darüber denkt, diese Geschichte erzählte die Philosophin und Schriftstellerin Charlotte Perkins 1916 in ihrem Fortsetzungsroman With her in Ourland. Sie beschreibt, wie Ellador zusammen mit ihrer ersten großen Liebe Van ihre Heimat Herland verlässt und sich auf den Weg in eine viel rauere Wirklichkeit macht. Mit With her in Ourland hat Gilman ihre 1915 erschienene Geschichte Herland weitergedacht. Und indem sie das matriarchale Herland mit dem patriarchalen Ourland konfrontiert, legt sie die Problemstellen unserer Gesellschaft offen. Religion, Krieg, Sexismus sind nur einige der angesprochenen Themen. Verpackt in eine Liebesgeschichte macht Gilman Gesellschaftskritik zu einem amüsanten Leseerlebnis.

In dieser Kritik der "androzentrischen Kultur" untersucht die Pionierin und Feministin Charlotte Perkins Gilman mit Witz und Einfühlungsvermögen die vielen negativen Auswirkungen der männlichen Vorherrschaft auf die Frauen sowie das Wohlergehen der Menschheit als Ganzes. Die lange Geschichte der männlichen Vorherrschaft und der weiblichen Unterordnung in unserer Gesellschaft hat die natürlichen Qualitäten der menschlichen Rasse nicht verbessert, sondern eher verzerrt, so Gilman. Dies zeigt sich in vielen Institutionen unserer Gesellschaft. In separaten Kapiteln behandelt sie Familie, Kunst, Literatur, Spiel und Sport, Ethik und Religion, Bildung, Mode, Recht und Regierung, Verbrechen und Strafe, Politik und Kriegsführung sowie Industrie und Wirtschaft. In jedem Fall zeigt sie, wie der herrschende männliche Einfluss zu schwerwiegenden Problemen geführt hat. Der Leser und die Leserin erhalten wertvolle Ratschläge, wie man die gesellschaftliche Unterdrückung durch die männliche Vorherrschaft beseitigen kann. Absolut lesenswert!

»Rundumschlag« charakterisiert wohl am besten Charlotte Perkins Gilmans Text Our Androcentric Culture or The Man-Made World, den sie 1911 veröffentlicht hat. Er machte sie schnell zu einer der wichtigsten Theoretikerinnen der ersten Frauenbewegung. Our Androcentric Culture ist eine Abrechnung mit der Männerwelt, bei der Gilman alle Facetten der männlichen/menschlichen Kultur unter die Lupe nimmt. Gilman nimmt ihre Leserinnen und Leser mit auf einen Streifzug durch unsere Welt und deckt in ihrer schnörkellosen Sprache deren männliche Prägung auf. Ihr Weg führt sie über die Themen Familie, Gesundheit und Schönheit, Kunst und Sport hin zu Politik und Wirtschaft. Gilmans Entwurf einer menschlicheren Welt für beide Geschlechter hat an Aktualität nicht verloren. Mit dem Titel Die Kultur der Männer liegt nun Gilmans feministischer Haupttext Our Androcentric Culture or The Man-Made World erstmals in deutscher Übersetzung vor. Ergänzt wird dieser durch eine biografische Einführung in Gilmans Leben und Werk.

Der Originaltext, Women and Economics, entstand im 19. Jahrhundert, hat aber nicht an Aktualität eingebüßt. Die Autorin kritisiert das wirtschaftliche Ungleichgewicht zwischen den Geschlechtern, das sich bis heute wenig verändert hat. Der wirtschaftliche Status einer Nation wird immer noch überwiegend von deren männlicher Bevölkerung bestimmt. Und solange Frauen nur ein Prozent des weltweit vorhandenen Eigentums besitzen, wird sich daran auch nichts ändern.

Oorspr.titel en uitg. Herland 1915.