David Greig is a celebrated playwright and director whose works are staged globally. His writing often delves into complex social and political themes, placing them within unconventional settings and embracing formal experimentation. Greig's style is characterized by its poetic language, wit, and profound insight into the human psyche. His theatrical contributions offer a piercing examination of the contemporary world.
The first ever novel by award-winning Scottish playwright David Greig, Columba's Bones recasts ninth century Scotland as the setting for a Scandi- noir-style thriller. Utterly unique, Columba's Bones explores early Christianity and paganism, philosophy, redemption and shame, violence and love, transcendence and reality.
What does the Bible say about economics? A lot. What about socialism, which is becoming an increasingly common concern in US economic policy discussions? In Biblical Economic Policy, Arnott and Saydometov build a biblical framework for analyzing national economic policy that takes on everything from taxes to spending to tariffs to minimum wage. The Bible has something to say about all these critical present-day issues, and this book explains how to apply it to 21st-century policies. Authors Dave Arnott and Sergiy Saydometov hold up the mirror of the Bible and ask their fellow Christians, “Is this the way we're supposed to run a biblical economy?” What the book is not: ● It is NOT a financial advice book. ● It is NOT about how to apply business principles at work. ● It is NOT about stewardship or giving. ● It is NOT about how to run your business for the glory of God. Biblical Economic Policy takes the macroeconomic view and analyzes how well America's economic policies align with biblical principles. This book tackles difficult present-day economic policies, including taxes, spending, national debt, interest rates, and money supply. Written with sound biblical grounding, in accessible language, Biblical Economic Policy will turn the common reader into a biblical economic analyst.
In 1928 a journalist asked George Mallory why he wanted to climb Everest. Mallory said, 'Because it's there.' Joe Simpson's memoir Touching the Void, international bestseller and BAFTA-winning film, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes aged twenty-five. Adapted for the stage by David Greig, Joe's story explodes into a bold theatrical fantasia. We discover the counter-cultural world of Alpine climbing and the sensual joy of the mountains; we bear witness to the appalling moment when Joe's climbing partner Simon Yates, battered by freezing winds and tethered to the injured Simpson, makes the critical decision to cut the rope. Tense, funny and inquisitive, Touching the Void explores the mind's extraordinarily rich reservoirs of strength and imagination when teetering on the edge of death. David Greig's Touching the Void premiered at Bristol Old Vic, Bristol in September 2018.
Twenty of Scotland's leading authors write about Scotland as it is now. Produced to accompany National Theatre of Scotland promenade peace at the Scottish National Portrait Gallery.
One wintry morning academic Prudencia Hart sets off to a conference in the Scottish Borders. Stranded there by snow, she is swept off on a dream-like journey of self discovery, complete with magical moments, devilish encounters and wittily wild music.
When Claire, a priest, survives an atrocity she sets out on a quest to answer the most difficult question of all: 'Why?' It's a journey that takes her to the edge of reason, science, politics and faith.
Duck Macatarsney cares for her biker dad, Duke, whose MS is getting worse. Duke is a spliff-smoking (for medicinal reasons you understand), bike-riding, heavy-metal- and horror-movie-loving, pizza-eating widower who has brought up Duck since the death of her mum in a crash.
Brings together four key plays that include - Outlying Island, San Diego, Pyrenees and The American Pilot. This collection also includes a trilogy of short plays - Being Norwegian, Kyoto and Brewers Fayre.
Late at night in a foreign land, an English army sweeps through the landscape under cover of darkness and takes the seat of power. Struggling to contain his men and the ambitions of his superiors, the commanding officer attempts to negotiate the unspoken rules of this alien country.
Midsummer's weekend in Edinburgh. It's raining. Bob's a failing car salesman on the fringes of the city's underworld. Helena's a high-powered divorce lawyer with a taste for other people's husbands. She's totally out of his league; he's not her type at all. They absolutely should not sleep together. Which is, of course, why they do.