Claudie et Arnaud sont amis. Ils ont le même âge et une même passion pour les étoiles dans le ciel. Arnaud est amoureux de Claudie, mais comment le lui dire? D'ailleurs, la jeune fille en aime un autre. Du moins, c'est ce qu'elle croit...
Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure. The Count of Monte Cristo is the ultimate novel of retribution. Based on a true story, it recounts the story of Edouard Dantes, his betrayal and imprisonment in the sinister Chateau d'If. Years later, Paris is intrigued by the mysterious Count of Monte Cristo, who bursts onto the Paris social scene with his millions. He encounters the three principal betrayers of Dantes who have prospered in the post-Napoleonic boom and, one by one, their lives fall apart. The book was a huge, popular success when it was first serialized in 1844, and remains the greatest tale of revenge. Abridged, with an afterword by Marcus Clapham.
Jean Valjean is free at last after nineteen years in prison. Cold and hungry, he is rejected by everyone he meets. But Jean's life is changed forever when he discovers love. He spends the rest of his life helping people, like himself, who have been victims of poverty and social injustice - 'les miserables'.--Cover.
Les lectures ELI sont une collection de livres de différents niveaux superbement illustrés allant des classiques toujours actuels aux histoires originales écrites pour les élèves qui étudient le français
Set in 1482, Victor Hugos powerful novel of imagination, caprice and fantasy is a meditation on love, fate, architecture and politics, as well as a compelling recreation of the medieval world at the dawn of the modern age.
Carmen, a Spanish story? Not in the spirit of Mérimée, who ironically sidesteps the Castilian Hispanicism of the romantics and reveals the fringes of the peninsula: in Andalusia, between Seville and Gibraltar, the mad love of a rootless Basque for a Bohemian girl, without homeland or ties. A passion for extremes: José, a brigand, and Carmen, an actress with multiple faces. A passion for freedom, which conceals a deeper longing revealed in this critical edition. The strange fascination the narrator, an overlooked character in Bizet's opera, feels for Carmen: a French scholar captivated by the enchantments of this woman who speaks a fiery and brutal language he cannot understand. Is Carmen the embodiment of literature, magical and fatal? Perhaps it is this other love story, this corrida of words hidden at the heart of the text, that gives the tale of Carmen's life and death its true universality.