Sextet in D Major, Op. 110: For Violin, 2 Violas, Cello, Contrabass and Piano, Part(s)
- 96 pages
- 4 hours of reading
Felix Mendelssohn was a German composer, pianist, organist, and conductor of the early Romantic period. Early recognized as a musical prodigy, his parents were cautious in promoting his talent. Mendelssohn's essentially conservative musical tastes set him apart from more adventurous contemporaries, and he founded a conservatoire that became a bastion of this anti-radical outlook. Though his work experienced a period of denigration, his creative originality is now recognized, making him one of the most popular composers of the Romantic era.






Andreas Ottensamer presents. Klarinette und Klavier.
Die Bearbeitung von Mendelssohn Bartholdys Klavierstücken für Klarinette und Klavier durch Andreas Ottensamer bringt eine frische Perspektive auf die beliebten "Lieder ohne Worte". Die Klarinette übernimmt den gesanglichen Melodiepart, während das Klavier unterstützend agiert. Diese Kombination ermöglicht eine treue Wiedergabe der Originalkompositionen und eröffnet gleichzeitig neue Klangmöglichkeiten. Die Auswahl der Stücke und die spezifischen Eigenschaften der Instrumente transportieren ein breites Spektrum an Emotionen, von tiefer Melancholie bis hin zu fröhlicher Leichtigkeit.
Collection contains 8 Mendelssohn songs. All bass clef to 4th position.
Two romantic masterpieces with the melodic material passed around to all parts. The majority of tenor clef and high playing remains in Cello 1 and 2.
Die beiden abendfüllenden Oratorien 'Paulus' und 'Elias', die Leben und Wirken des neutestamentarischen Apostels bzw. des alttestamentarischen Propheten in Musik setzen, zählen zu den wichtigsten und nach wie vor häufig aufgeführten geistlichen Werken Mendelssohn Bartholdys. Die Textfassung folgt der neuesten kritischen Edition.
(Music Sales America). A sacred oratorio, written in 1738 arranged for SSATBB, edited, and the piano accompaniment arranged by Mendelssohn.
Songs Without Words - Romances sans Paroles - Urtext - Für Klavier / For Piano / Pour Piano
German
Op. 70: Ein Oratorium nach Worten des Alten Testaments MWV A 25, 1845-1846 - Klavierauszug deutsch/englisch
From the Breitkopf & Härtel Complete Works Edition
Here in one volume are all of Mendelssohn's major orchestral works in full score: the complete "Midsummer Night's Dream" Overture and Incidental Music, plus all the play cues and all the "melodramas" more than has ever been recorded; The Hebrides Overture, or Fingal's Cave, Op. 26; its pendant, the Calm Sea and Prosperous Voyage Overture, Op. 27; Symphony No. 3 in A ("Scottish"), Op. 56; and Symphony No. 4 in A ("Italian"), Op. 90. These are the most performed orchestral works and are usually considered Mendelssohn's finest. This sturdy edition has been reproduced from selected volumes of the Breitkopt & Hartel Complete Works edition, edited by Julius Rietz. Noteheads are large and clear, and wide margins and ample staves offer space for written notes, analysis, and more."
Mendelssohn's complete works for pianoforte solo are now contained in this two-volume republication of the outstanding Breitkopf & Hartel edition. Included in Volume One are: "Capriccio in F-sharp Minor" (1825), "Sonata in E Major" (1826), Seven Characteristic Pieces," "Rondo Capriccioso in E Major" (1824), "Fantasy in F-sharp Minor" (1835), "Andante cantabile e Presto agitato in B Major" (1838), "Etude in F Minor" (1836), "Scherzo in B Minor," "Gondola Song in A Major" (1837), "Scherzo a Capriccio in F-sharp Minor," "Three Caprices" (1833 1835), "Six Preludes and Fugues" (1827 1837), "Variations Serieuses in D Minor" (1841), "Six Pieces for Children" (c. 1842), "Variations in E-flat Major" (1841), and Variations in B-flat Major." Volume Two contains: "Three Predules" (1836), "Three Etudes" (1834 1838), "Sonata in G Minor" (1821), "Sonata in B-flat Major" (1827), "Album Leaf (Song Without Words) in E Minor," "Capriccio in E Major/Minor" (1837), "Perpetuum Mobile in C Major," "Prelude and Fugue in E Minor" (1827, 1841), "Two Pieces," and "Song Without Words" [48 pieces in 8 books]. Noteheads have been reproduced in a size large enough to be read easily at the keyboard. Margins and spaces between staves are generous, permitting insertion of written notes, analysis, fingerings, running measure numbers, etc. For playing, study, or just listening to records, this work will be an admirable addition to your music library. "
Reprint of the ed. published between 1874-1877 by Breitkopf & Heartel, Leipzig under title: Feur Pianoforte allein.