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Carlo McCormick

    Trespass
    Magic city: die Kunst der Straße, the art of the street
    Mark Flood: Gratest Hits
    City as Canvas
    Litmus Test: Works on Paper from the Psychedelic Era
    Trespass : A History of Uncommissioned Urban Art
    • 2018
    • 2017

      “Our MAGIC CITY is a place and a non-place. It is the city as subject and canvas, neither theme park nor stage set. This exhibition is a celebration of the universal character of cities as well as a love letter to their infinite diversity.” Carlo McCormick MAGIC CITY is always changing; the entire city has become an artists’ studio, an urban museum of the imagination. More than 40 of the world’s best street artists specially painted, sprayed, scratched, glued, or even crocheted for this tailor-made city of dreams. With every stopover, new works will appear as others disappear, just as in the streets of any city. In each host city, the organizers support new collaborations, guest artists, and happenings. MAGIC CITY – THE ART OF THE STREET documents the beginning of this exceptional touring exhibition.

      Magic city: die Kunst der Straße, the art of the street
    • 2016

      Mark Flood: Gratest Hits

      • 208 pages
      • 8 hours of reading

      Mark Flood: Gratest Hits is the first survey of the work of Houston-based artist Mark Flood (born 1957) dating from the 1970s to 2016. Described by The New York Times as a "painter and punk propagandist," Flood has, despite remaining barely visible at the museum level, maintained an active and influential career for decades in painting and, increasingly, exhibition practice, producing work characterized by deep wisdom and trenchant humor. With Gratest Hits, Flood--an artist so absolute in his judgments that one 2012 painting featured the words "Whore Museums, Gutless Collectors, Blind Dealers, So-Called Artists" emblazoned on it--finally gets the monographic museum treatment in his hometown, and a career-spanning catalogue to boot. This fully illustrated, full-color volume features texts by Carlo McCormick, Alison Gingeras, El Topito, Scott Indrisek and Bill Arning, the exhibition's curator and director of the Contemporary Arts Museum, Houston.

      Mark Flood: Gratest Hits
    • 2013

      City as Canvas

      • 239 pages
      • 9 hours of reading

      A visual account of the birth of graffiti and street art, showcasing as-yet- unseen works collected by preeminent artist Martin Wong.

      City as Canvas
    • 2010

      The last outlaw of visual Graffiti and unsanctioned art—from local origins to global phenomenon In recent years street art has grown bolder, more ornate, more sophisticated and—in many cases—more acceptable. Yet unsanctioned public art remains the problem child of cultural expression, the last outlaw of visual disciplines. It has also become a global phenomenon of the 21st century. Made in collaboration with featured artists, Trespass examines the rise and global reach of graffiti and urban art , tracing key figures, events and movements of self-expression in the city’s social space, and the history of urban reclamation, protest, and illicit performance. The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists ,and connects four generations of visionary outlaws including Jean Tinguely , Spencer Tunick, Keith Haring, Os Gemeos , Jenny Holzer , Barry McGee , Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front , Guerrilla Girls and Banksy , among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks. Also

      Trespass : A History of Uncommissioned Urban Art