Stewart Parker Books

The book provides a critical analysis of the social and political landscape in Belarus, challenging the perception of it as 'Europe's last dictatorship.' It situates the country within its historical context, offering insights into the realities faced by its citizens. This revised edition for 2011 aims to debunk prevalent myths and presents a nuanced understanding of Belarusian society and governance.

In a great Irish tradition of autobiographical fiction, Parker's poignant novel depicts events surrounding the amputation of his left leg as a nineteen- year-old university student. This remarkable, posthumously edited work prefigures the skills Parker would demonstrate in his plays.

The first serious study of Alexander Lukashenko, president of Belarus. This book exposes the reality behind the myth of 'Europe's last Dictatorship'.

Exploring the contentious issue of anti-Semitism within Marxism and the Soviet Union, this study delves into the historical context and political dynamics leading up to Stalin's death. It examines how Marxist ideology interacted with anti-Semitic sentiments and the implications for Jewish communities during this era. The book sheds light on the complexities of these allegations, providing a nuanced understanding of the relationship between Marxism and anti-Semitism in a pivotal period of history.

Exploring the evolution of diving helmet designs, this book delves into the innovations and cultural influences that shaped underwater exploration. It highlights various styles from different regions, showcasing the technological advancements and craftsmanship involved. The narrative offers insights into the significance of these helmets in maritime history and their impact on diving practices. With rich illustrations and detailed descriptions, it serves as a comprehensive resource for enthusiasts and historians alike.

This collection brings together the best of Northern Irish playwright Stewart Parker’s literary prose and journalism. These writings showcase his anticipation and knowledge of the changing cultural conditions of theater life and play-making in the closing decades of the twentieth-century. Alongside this alert cosmopolitan sensibility, Parker’s experience of living in and through Belfast’s self-inflicted wounding made him keenly aware of what happens when politics fails to deliver a democratic answer to the contradictory beliefs of ordinary citizens. His innate skepticism about politics is etched herein with feisty and unambivalent vigor.

Stewart Parker is one of Northern Ireland’s most witty, eloquent, and astute playwrights, yet his work for television is little known. This collection gathers, for the first time, the bulk of his television drama, offering a unique and exciting opportunity to encounter another dimension to Parker’s oeuvre. The plays in this volume exhibit the range and variety of his drama, which combines comedy and tragedy, the challenge of political and social themes, and the exuberance of pure fantasy.