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Alston W. Purvis

    Type
    Type. A Visual History of Typefaces & Graphic Styles. II.
    H.N. Werkman (Monographics)
    Creative Type
    The Poster
    Meggs' History of Graphic Design
    • Meggs' History of Graphic Design

      • 704 pages
      • 25 hours of reading

      The unrivaled, comprehensive reference tool for graphic designers & students that was heralded as a publishing landmark

      Meggs' History of Graphic Design
      4.3
    • The Poster

      1,000 Posters From Toulouse-Lautrec To Sagmeister

      • 567 pages
      • 20 hours of reading

      This complete international history of poster design from the Art Nouveau to the present covers all of the significant developments in poster design, and every important type of poster, from wine and war to rock and rebellion. One thousand posters illustrate the work of virtually every significant artist and graphic designer who ever created a memorable poster, including a generous selection of contemporary work. Organized chronologically, with thematic sections devoted to design styles as well as popular history, The Poster is also a visual chronicle of world culture from the late 19th century to the present. Finally, The Poster is an appealing design object in itself, and a terrific way to experience the pleasures of graphic design.

      The Poster
      3.8
    • Creative Type

      A Sourcebook of Classic and Contemporary Letterforms

      • 399 pages
      • 14 hours of reading

      A dynamic visual record of typeface evolution, focusing on the last twenty years.

      Creative Type
      3.5
    • Type

      • 360 pages
      • 13 hours of reading

      A visual history of fonts and graphic styles: volume 2 This book offers a connoisseur's overview of typeface design, exploring the most elegant fonts from the history of publishing. Taken from a distinguished Dutch collection, this exuberant two-volume edition traces the evolution of the printed letter via exquisitely designed catalogs, showing type specimens in roman, italic, bold, semi-bold, narrow, and broad fonts. Borders, ornaments, initial letters and decorations are also included, along with lithographic examples, letters by signwriters, inscription carvers, and calligraphers. Featuring works by type designers including: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger. In order to accommodate a vast amount of material, we have divided this text into two volumes. This, the second volume, covers the period from 1900 to the mid-20th century, and contains a historical outline by Alston W. Purvis. Includes exclusive access with TASCHEN keycard to online image library: over 1400 high-resolution scans of type specimens downloadable for unrestricted use:

      Type
      4.6