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Erwin Magnus

    Victoria/Die Stadt Segelfoss/Das letzte Kapitel /Der Ring schliesst sich
    The Sea Wolf
    White fang
    Burning Daylight
    The Abysmal Brute
    Martin Eden
    • 2018

      Jack London (1876-1916), was an American author and a pioneer in the then-burgeoning world of commercial magazine fiction. He was one of the first Americans to make a lucrative career exclusively from writing. London was self-educated. He taught himself in the public library, mainly just by reading books. In 1898, he began struggling seriously to break into print, a struggle memorably described in his novel, Martin Eden (1909). Jack London was fortunate in the timing of his writing career. He started just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public, and a strong market for short fiction. In 1900, he made $2,500 in writing, the equivalent of about $75,000 today. His career was well under way. Among his famous works are: Children of the Frost (1902), The Call of the Wild (1903), The Sea Wolf (1904), The Game (1905), White Fang (1906), The Road (1907), Before Adam (1907), Adventure (1911), and The Scarlet Plague (1912).

      The Abysmal Brute
    • 2018

      Burning Daylight

      • 368 pages
      • 13 hours of reading

      This Elibron Classics title is a reprint of the original edition published by Bernhard Tauchnitz in Leipzig, 1911.

      Burning Daylight
    • 2018

      The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels and divergences between the life of Martin Eden and that of his creator, focusing on London's mental depressions and how they affected his depiction of Eden. (back cover)

      Martin Eden