Rachel Ingalls is the author of several fictional works, known for their unique perspective on everyday life and interpersonal relationships. Her style is characterized by subtle psychological depth, often exploring the unsettling tension beneath the surface of seemingly normal situations. Ingalls masterfully reveals the complexities of human nature, introducing unexpected twists that prompt readers to contemplate. Her writings are valued for their perceptiveness and ability to capture the disquieting aspects of the human experience.
Prepare to meet what lurks beneath . 'Macabre, fantastic and haunting . In her
vision of intimacy and interdependence, you're simply not safe until everybody
else is dead . ' Guardian'Idiosyncratic, haunting, masterly .
This collection of stories is from the author of "Theft", "The Man Who Was Left Behind", "Mrs Caliban", "Three of a Kind", "The Pearkillers" and "The End of Tragedy".
Jede Seite ist originell und faszinierend. Halten Sie sich einen Samstag frei
und lesen sie die Geschichte in einem Rutsch! Harper's Magazine Die Smalltalk-
Geheimwaffe jeder Cocktailparty wird in dieser 'Mrs.?Calibans Geheimnis' sein,
eine ebenso eigenartige wie wunderbare Novelle. NPR
After getting a haircut in London and a few new outfits (“she bought two pairs of shoes and began to enjoy herself”), Millie, the neglected American wife of an academic pill, is transformed—and, upon arrival in Africa, falls into the perfect affair. Binstead’s Safari unfolds the fractured fairy tale of the rebirth of a drab, insecure woman as a fiercely alive, fearless beauty. “Life was too short to waste time trying to find excuses for not doing the things you really wanted to do,” Millie realizes, helping herself to love and joy. The husband is astonished—everyone adores the new Millie. She can’t put a foot wrong, and as they move deeper into Africa in search of lion myths for his book, “excitement and pleasure carried her upwards as on a tide.” Mysteries abound, but in the hands of Rachel Ingalls, the ultimate master of the curveball, Millie’s resurrection seems perfectly natural: caterpillar to butterfly. “Only now had she found her life”—and also her destiny, which may, this being Ingalls, take the form of a Lion God.