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Ellen March seeks solace in a secluded house in the woods, hoping to heal from her failed marriage and embrace small-town life. Her new neighbor, Norman McKay, offers a potential new beginning, but as night falls, eerie visions disrupt her peace—shadowy figures, a ghostly woman, and a spectral cat haunt her. What was meant to be a sanctuary turns into a nightmarish prison, forcing Ellen to confront the past she wished to escape. The story intertwines themes of isolation, haunting memories, and the search for safety.

Set in the isolated King's Island, Maine, the story revolves around Joanne McMullen's growing concern for her sister Mary, who is struggling with the devastating loss of her child. As Mary becomes increasingly obsessed with a haunting, childlike wail in the woods, Joanne fears for her sister's mental stability. The tension escalates when Joanne herself begins to hear the eerie cries, blurring the lines between reality and madness. The novel delves into themes of grief, familial bonds, and the psychological impact of loss.

The house next door to Pat Robbins—eerily identical to the home Pat shares with her college-aged son, Mark—has been empty for years, the darkness within seeming to warn all to stay away. Now new tenants are moving in: affable Josef Friedrichs and his lovely daughter, Kathy, who has stolen Mark's heart on first glance. But something is not right—something old and secret lurking in the shadows that fresh paint and new furnishings cannot mask or exorcise. There is evil alive in the heart of the house next door—and it means to feed on the fears of two families . . . and drag Kathy Friedrichs with it into peril.

A stranger has come to Middleburg, Maryland, a visitor from abroad with a mysterious purpose. But this quaint, affluent community has dark secrets of its own. And when the interloper, Peter Stewart, becomes involved with the bewitching, seductive ward of noted local author Kate More, the townfolk fear the chilling past they are hiding will no longer be safe. For Middleburg has a colonial history of malevolent sorceries and obscene sacrifice. And when the terrible pot is stirred, murder may be the least of the evils to emerge from the unholy brew.

It begins as a lark -- a harmless diversion initiated by Washington, D.C., hostess Ruth Bennett as a means of entertaining her visiting niece, Sara. But the séance conducted in Ruth's elegant Georgetown home calls something back; something unwelcome ... and palpably evil. Suddenly Sara is speaking in a voice not her own, transformed into a miserable, whimpering creature so unlike her normal, sensible self. No tricks or talismans will dispel the malevolence that now plagues the inhabitants of this haunted place -- until a dark history of treachery, lust, and violence is exposed. But the cost might well be the sanity and the lives of the living.

An English Gothic mansion, transported stone by stone to the isolated Pennsylvania hills, Grayhaven Manor calls to Anne and Kevin. Here is the ideal summer retreat—a perfect location from which to write the book they have long planned together. But there are distractions in the halls and shadows of the looming architectural wonder luring them from their work—for they are not alone. Something lives on here from Grayhaven's shocking past—something beautiful, powerful, and eerily seductive—unlocking the doors of human desire, of fear ... and unearthly passion.

Aus dem Englischen v. Büchel, Anne Peters, Elizabeth Roman. Sonderausgabe. 287 S.

Ein harmloses Spiel in Ruth Bennets altem Haus verwandelt sich in einen Albtraum, als ihre Nichte Sara mit einer fremden Stimme spricht. Vergessene Geheimnisse aus der Vergangenheit bedrohen das Leben der Hausbewohner.

Spuren der Vergangenheit - bk371; Bechtermünz Verlag; Barbara Michaels; Paperback; 1996