This volume entitled Studio Talk is a collection of 13 interviews that have constituted the first chapter, “Studio”, of each issue of GA DOCUMENT EXTRA series that have been published since 1995, an unpublished interview with Frank O. Gehry originally for the aforementioned series, and an interview with Enric Miralles (GA DOCUMENT #60) who has passed away in 2000.Frank O. Gehry 1929-Arata Isozaki 1931-Ricardo Legorreta 1931-Richard Rogers 1933-Alvaro Siza 1933-Richard Meier 1934-Norman Foster 1935-Tadao Ando 1941-Thom Mayne/Morphosis 1944-Christian de Portzamparc 1944-Bernard Tschumi 1944-Jean Nouvel 1945-Steven Holl 1947-Zaha Hadid 1950-Enric Miralles 1955-2000
Mario Botta Books
Mario Botta is a Swiss architect whose work draws from the influences of Le Corbusier, Carlo Scarpa, and Louis Kahn. His architectural style is characterized by an exploration of the relationship between space, matter, and light, often with an emphasis on geometric precision and monumentality. Botta engages with questions of how architecture impacts human perception and how space can shape our experiences. His practice often focuses on the dialogue between new constructions and their existing environments, with a profound respect for local context.






Mario Botta
- 176 pages
- 7 hours of reading
Catalogue des plus belles réalisations de cet architecte suisse, en Suisse, en France, en Italie, aux Etats-Unis... Chaque édifice est décrit avec précision et de nombreuses photographies témoignent de son style architectural.
Die Sagrada Família
Kathedrale des Lichts
For 40 years, the Swiss writer, Friedrich Dürrenmatt, committed his works to paper from his home which overlooked the beautiful lake Neuchâtel in Switzerland. After Dürrenmatt's death in 1991, Mario Botta began designing a museum which would be a monument to the writer, housing his drawings, paintings and literary artefacts. Skillfully built onto Dürrenmatt's house, the Centre Dürrenmatt is nearing completion and will be opened in autumn 2000. Officially endorsed by the Centre, this publication documents the complete realisation of the building, from its initial conception to the finished museum, using texts, drawings and plans from both Dürrenmatt and Botta. These are accompanied by expressive photographs by Thomas Flechtner. The result is a fascinating appraisal of geographic beauty, genius loci and modern architectural skill sensitively fusing together.

