Charles Ives was an American modernist composer, recognized as one of the first American composers of international renown. Though his early works were largely overlooked and remained unperformed for many years, his music later achieved public recognition, establishing him as an "American original". Ives was a pioneer of experimental music, employing techniques such as polytonality, polyrhythm, tone clusters, and quarter tones. His innovative approach foreshadowed many musical developments that became widespread in the 20th century, solidifying his status as a leading American composer of art music.
(Full Score). This new performance score seeks to address every quantifiable performance problem confronting conductors and performs of the Ives Fourth Symphony. Here, for the first time, difficulties that have bedeviled interpreters of the score in the past are addressed, and the new issues unearthed in the recently published Critical Edition score are harnessed and accounted for.
This volume showcases the complete extant studies for solo piano by Charles Ives, highlighting his innovative approach to composition. It includes critical editions of various studies, such as "Andante moderato - Allegro molto" and "The Anti-Abolitionist Riots," alongside realizations and fragments. The collection reflects Ives's diverse musical style and thematic exploration, offering insights into his creative process. This publication serves as a significant resource for understanding Ives's contributions to piano music.
Exploring the intersection of music and philosophy, this collection of essays by Charles Ives complements his "Concord Sonata," inspired by transcendentalist thinkers from Concord, Massachusetts. Ives delves into themes such as the relationship between music and transcendentalist theory, invention, and dissonance. He draws connections to the works of Emerson, Thoreau, and Hawthorne, showcasing his avant-garde approach and innovative thinking. These writings enhance the listener's appreciation of the "Concord Sonata," revealing the complexity of Ives's musical vision.
This volume features a diverse collection of Charles Ives's shorter piano works, showcasing both early compositions and larger pieces linked to the Concord Sonata. It includes critical performance editions of four significant works and presents the first publication of Ives's original piano version of The St. Gaudens (Black March). Additionally, two major works in this compilation possess intricate and fascinating histories, highlighting Ives's innovative approach to music.