J.M.W. Turner (1775-1851) is the most masterly of British painters. His work exploits the great traditions of European painting, while anticipating the development of modern art in the twentieth century. As a Romantic, he was from his earliest works sensitive to the natural dramas found in land and seascapes, though increasingly light and colour alone became all-important to him. He travelled through England, France, Italy and Switzerland, and his views are possibly the most imaginative evocations of these countries ever painted. The essay by William Gaunt (1900-80), an acknowledged authority on British art, was originally published in 1971. For this new edition Robin Hamlyn, Research Assistant in the Historic British Collection at the Tate Gallery, has added notes to the colour plates, for which he has drawn extensively on the most recent research on Turner, and many black and white illustrations.
Luke Herrmann Books
Luke Herrmann's work delves into art history, approached through rigorous historical research and keen analytical insight. His writing is characterized by precision and a remarkable ability to connect artworks with their broader cultural and historical contexts. Herrmann's contributions lie in his detailed examination and interpretation of visual creations, offering readers a deeper understanding of artistic expression through time. He presents art not just as aesthetic objects but as vital components of human history.

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Nineteenth Century British Painting
- 416 pages
- 15 hours of reading
This work provides an informative chronological survey of a century of British painting. It progresses from the beginnings of Romanticism in the late 18th century to the British adoption of Impressionism in the late 19th century. schovat popis
Turner Prints
The Engraved Work of J. M. W.Turner
. Phaidon Press 1994, bright clean copy, no markings, with dustjacket, Professional booksellers since 1981
Englische Landschaftsmalerei im 19. [neunzehnten] Jahrhundert
- 94 pages
- 4 hours of reading