The Complete Plays
- 448 pages
- 16 hours of reading
Collects all seven plays by English playwright Joe Orton, published between 1964 and 1967
John Orton was an English playwright whose short yet prolific career in the 1960s produced scandalous black comedies that shocked, outraged, and amused audiences. His style, now termed 'Ortonesque,' is characterized by a dark yet farcical cynicism that targets the parody of established societal norms. Orton's plays often explore themes of death, the police, religion, and justice through a provocative and unconventional lens. His literary legacy lies in his unique ability to blend absurd humor with sharp social commentary, leaving an indelible mark on the world of theatre.






Collects all seven plays by English playwright Joe Orton, published between 1964 and 1967
One of the most enduring comedies of the modern British stage
Roots; Serjeant Musgrave's Dance; Loot; Early Morning; The Ruling Class
Five outstanding plays from the British theatre of the 1960s. This volume contains major works by five of the most important playwrights ot emerge during the late fifties and early sixties. Bold, challenging and iconoclastic, these plays are landmarks of post-war British theatre. Roots by Arnold Wesker focuses on the homecoming of young Beatie Bryant who returns to her family of Norfolk farm workers with stories of her boyfriend Ronnie. Serjeant Musgrave's Dance by John Arden is set in a mining town in the 19th century, with a group of soldiers returned from a colonial war. But when Musgrave is asked to keep the peace with the colliery workers, he decides to do so in a rather unusual way. Loot by Joe Orton is a brilliant parody of the skeleton-in-the-cupboard crime genre, exploding the very notions of English decency, good citizenry and traditional 'positions'. Edward Bond's Early Morning re-imagines the time of Victoria and Albert caught up in a military coup plotted by Disraeli. Peter Barnes' Ruling Class describes the fall out in an aristocratic family after the 14th Earl commits suicide and leaves his estate to a schizophrenic Franciscan friar who is under the illusion that he is Jesus.