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This text reconnects M to its significance as an event in 1931 Germany, recapturing the film's extraordinary social and symbolic energy. Interweaving close reading with cultural history, Anton Kaes reconstitutes M as a modernist artwork. He also analyzes Joseph Losey's 1951 film noir remake.
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M, Anton Kaes
- Language
- Released
- 2000
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- (Paperback)
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