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The poem offers a satirical twist on the legendary figure of Don Juan, depicting him as a man easily seduced by women rather than a notorious womanizer. This "Epic Satire" spans over sixteen thousand lines and showcases Byron's mastery of the epic form. Although he completed 16 cantos, the 17th remains unfinished, with Byron admitting he had no specific direction for future developments. Critics widely regard it as his greatest work, exemplifying his wit and innovative approach to storytelling.
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