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Passing and Posing between Black and White

Calibrating the Color Line in U.S. Cinema

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  • 250 pages
  • 9 hours of reading

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Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the postclassical cinema of the turn of the millennium.

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Passing and Posing between Black and White, Gotto Lisa

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Released
2022
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