More about the book
Proctor McCullough is 44 years old. When he decides to desert his comfortable, middle class life in London and build a church on a clifftop, nobody knows what to make of it; McCullough is not religious. Is it a midlife crisis? Has he gone mad? Is he suffering a spiritual crisis in a secular age, where identity is shaped by wealth and social media? Or has he really been chosen by God for a new revelation? Family of Love is an epic novel in the tradition of Dostoevsky; a character struggling to cope with the grand issues of modern life - faith, family, and his responsibility to society.Proctor McCullough is 44 years old. When he decides to desert his comfortable, middle class life in London and build a church on a clifftop, nobody knows what to make of it; McCullough is not religious. Is it a midlife crisis? Has he gone mad? Is he suffering a spiritual crisis in a secular age, where identity is shaped by wealth and social media? Or has he really been chosen by God for a new revelation?
Book purchase
As A God Might Be, Neil Griffiths
- Language
- Released
- 2017
- product-detail.submit-box.info.binding
- (Paperback)
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- Title
- As A God Might Be
- Language
- English
- Authors
- Neil Griffiths
- Publisher
- Dodo Ink
- Released
- 2017
- Format
- Paperback
- Pages
- 599
- ISBN10
- 0993575846
- ISBN13
- 9780993575846
- Series
- Rating
- 3.65 out of 5
- Description
- Proctor McCullough is 44 years old. When he decides to desert his comfortable, middle class life in London and build a church on a clifftop, nobody knows what to make of it; McCullough is not religious. Is it a midlife crisis? Has he gone mad? Is he suffering a spiritual crisis in a secular age, where identity is shaped by wealth and social media? Or has he really been chosen by God for a new revelation? Family of Love is an epic novel in the tradition of Dostoevsky; a character struggling to cope with the grand issues of modern life - faith, family, and his responsibility to society.Proctor McCullough is 44 years old. When he decides to desert his comfortable, middle class life in London and build a church on a clifftop, nobody knows what to make of it; McCullough is not religious. Is it a midlife crisis? Has he gone mad? Is he suffering a spiritual crisis in a secular age, where identity is shaped by wealth and social media? Or has he really been chosen by God for a new revelation?
