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King of the City

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  • 576 pages
  • 21 hours of reading

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Moorcock's second great London novel - and thematic sequel to MOTHER LONDON - returns to print in a newly revised edition. The death of Princess Di heralded a spring clean of the soul. And the dirt we wanted off our coffee tables was the kind of salacious exposure tabloid paparazzo photographer Denny Dover had made a fortune out of. Now he's out of work and moving to the godforsaken wastes of Skerring on the South coast to lick his wounds. A former rock star, this East End lad-made-good lived it up with the best of them. But his childhood friend, hugely wealthy magnate Sir John Barbican-Begg (deceased, allegedly) is resurrecting events from a past littered with dysfunction and greed, sex, rock and roll and a ton of drugs. Denny's life encapsulates the fevered underground of a London teeming with contradiction and ambivalence, subversion and rage. Moorcock's hugely entertaining follow-up to his masterpiece MOTHER LONDON captured the spirit of our age as we staggered into the new millennium.

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King of the City, Michael Moorcock

Language
Released
2016
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(Paperback)
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Language
English
Released
2016
Format
Paperback
Pages
576
ISBN10
1473213274
ISBN13
9781473213272
Rating
3.65 out of 5
Description
Moorcock's second great London novel - and thematic sequel to MOTHER LONDON - returns to print in a newly revised edition. The death of Princess Di heralded a spring clean of the soul. And the dirt we wanted off our coffee tables was the kind of salacious exposure tabloid paparazzo photographer Denny Dover had made a fortune out of. Now he's out of work and moving to the godforsaken wastes of Skerring on the South coast to lick his wounds. A former rock star, this East End lad-made-good lived it up with the best of them. But his childhood friend, hugely wealthy magnate Sir John Barbican-Begg (deceased, allegedly) is resurrecting events from a past littered with dysfunction and greed, sex, rock and roll and a ton of drugs. Denny's life encapsulates the fevered underground of a London teeming with contradiction and ambivalence, subversion and rage. Moorcock's hugely entertaining follow-up to his masterpiece MOTHER LONDON captured the spirit of our age as we staggered into the new millennium.