More about the book
The Variable Contrast Printing Manual is the only comprehensive resource for photographers printing with variable contrast papers. Anchell provides a wealth of techniques and information to enable photographers to achieve the best possible results, and express their unique personal vision. As in his best-selling The Darkroom Cookbook (Focal Press), Anchell has provided the reader with an easy-to-follow approach to a medium that now dominates black-and-white printing.Stephen G. Anchell has been a freelance and commercial photographer, writer, and instructor for over 25 years. His fine-art black-and-white photography has been internationally exhibited and collected. He teaches workshops and seminars privately, at universities, and for companies such as Agfa, Cachet Fine Art Paper Company, and Sinar-Bron. His writing on photography has appeared in View Camera, Shutterbug, PIC (Great Britain), and PhotoPro magazines. He was a contributing editor to the former Camera and Darkroom magazine, and is a current contributing editor to PhotoWork and Outdoor Photographer magazines.
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The variable contrast printing manual, Stephen G. Anchell
- Language
- Released
- 1997
- product-detail.submit-box.info.binding
- (Paperback)
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- Title
- The variable contrast printing manual
- Language
- English
- Authors
- Stephen G. Anchell
- Released
- 1997
- Format
- Paperback
- Pages
- 193
- ISBN10
- 0240802594
- ISBN13
- 9780240802596
- Series
- Rating
- 4.15 out of 5
- Description
- The Variable Contrast Printing Manual is the only comprehensive resource for photographers printing with variable contrast papers. Anchell provides a wealth of techniques and information to enable photographers to achieve the best possible results, and express their unique personal vision. As in his best-selling The Darkroom Cookbook (Focal Press), Anchell has provided the reader with an easy-to-follow approach to a medium that now dominates black-and-white printing.Stephen G. Anchell has been a freelance and commercial photographer, writer, and instructor for over 25 years. His fine-art black-and-white photography has been internationally exhibited and collected. He teaches workshops and seminars privately, at universities, and for companies such as Agfa, Cachet Fine Art Paper Company, and Sinar-Bron. His writing on photography has appeared in View Camera, Shutterbug, PIC (Great Britain), and PhotoPro magazines. He was a contributing editor to the former Camera and Darkroom magazine, and is a current contributing editor to PhotoWork and Outdoor Photographer magazines.