Born under Saturn : the Character and Conduct of Artist : A Documented History from Antiquity to the French Revolution
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- 368 pages
- 13 hours of reading
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There is a nearly unanimous belief that artists have a distinctive personality and that they are always and have been egocentric, capricious, romantic, rebellious, informal, licentious, eccentric, obsessed with their work, and difficult to live with. Art historians have contributed little to this topic, as they do not consider psychoanalysis useful for historical research, which has somewhat deprived them of a deeper understanding of both the behavior of ancient and modern artists and their works. The aim is to investigate when, where, and why a typical image of the artist was created in the minds of the general public and what its distinctive traits and critical fortune have been. The answer has been sought in a vast array of historical sources: biographies, letters, and documents, meaning that the research is rigorously focused on historical documentation.
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Born under Saturn : the Character and Conduct of Artist : A Documented History from Antiquity to the French Revolution, Rudolf Wittkower
- Language
- Released
- 1969
- product-detail.submit-box.info.binding
- (Paperback)
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- Title
- Born under Saturn : the Character and Conduct of Artist : A Documented History from Antiquity to the French Revolution
- Language
- English
- Authors
- Rudolf Wittkower
- Publisher
- W.W. Norton
- Released
- 1969
- Format
- Paperback
- Pages
- 368
- ISBN10
- 0393004740
- ISBN13
- 9780393004748
- Series
- Tags
- Non-Fiction, Art & Culture, Social Sciences, Historical Themes, History, True Stories, Biographies, Psychological Topics, Art, Psychology, Opinion Journalism & Essays, Art History & Criticism, History of Art
- Rating
- 4.15 out of 5
- Description
- There is a nearly unanimous belief that artists have a distinctive personality and that they are always and have been egocentric, capricious, romantic, rebellious, informal, licentious, eccentric, obsessed with their work, and difficult to live with. Art historians have contributed little to this topic, as they do not consider psychoanalysis useful for historical research, which has somewhat deprived them of a deeper understanding of both the behavior of ancient and modern artists and their works. The aim is to investigate when, where, and why a typical image of the artist was created in the minds of the general public and what its distinctive traits and critical fortune have been. The answer has been sought in a vast array of historical sources: biographies, letters, and documents, meaning that the research is rigorously focused on historical documentation.