Cinema, Religion and the Romantic Legacy

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Exploring the intersection of cinema and spirituality, this book examines how religious themes manifest in film, particularly through the lens of notable European directors like Kieslowski and Godard. It challenges traditional representations of religion in cinema, addressing complex issues of religious representation. Drawing on the works of various theologians and philosophers, the author provides insights into the aesthetic and theological implications of film. This scholarly work is essential for those interested in the nuanced relationships between film, media, and religious studies.