Before the Baton

Exploring the evolution of music direction in Britain prior to the 1830s, this book delves into choral and theatrical practices from the Stuart and Georgian periods. It contrasts historical methods in Britain with practices in Italy, Germany, and France, highlighting the transition from traditional approaches to modern baton conducting. The author challenges contemporary interpretations of Handel’s works, revealing his preference for playing over conducting. Drawing on extensive research, the book offers a fresh perspective on significant musical traditions and practices of the era.