Art and Illusion

More about the book

Described by Kenneth Clark as 'one of the most brilliant books of art criticism', this classic study of image-making delves into the question of why style exists. Professor Gombrich's exploration of the history and psychology of pictorial representation leads to a re-evaluation of concepts such as the imitation of nature, the role of tradition, abstraction, perspective, and expression. These inquiries reveal that pictorial representation is complex and nuanced. First published over 40 years ago, the work retains its vitality and significance. Gombrich applies experimental science to art, addressing intricate ideas while maintaining a sense of wonder about the human brain's capacity and the subtleties of perception in art-making. His profound knowledge and clear exposition allow him to present each argument as a testable hypothesis. The issues surrounding representation are fundamental to art history, making this text essential for anyone seeking to understand art's complexities. In the sixth edition, Gombrich includes a new 12-page preface that distinguishes between an image and a sign, clarifying his original intentions in writing the book.