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Judgment Night

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  • 380 pages
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Four different worlds and five tales of conflict and discovery showcase the unique visions of science fiction master C.L. Moore in her first published collection, released in 1952. This anthology features novellas from the pages of Astounding Science Fiction, selected by Moore as her best longer-form work. "Judgment Night" explores a future galactic empire while reflecting on power's nature and inevitable loss. "The Code" pays homage to Faust, infused with modern theories and Lovecraftian dread. "Promised Land" and "Heir Apparent" depict humanity's grim transformation as it ventures into the solar system, while "Paradise Street" presents a futuristic take on the classic western conflict between lone hunters and settlers. Except for "Judgment Night," these stories were published under the pen name Lawrence O'Donnell, which Moore used for her solo works. Catherine Lucille Moore, born in 1911 in Indianapolis, began her prolific storytelling career in 1930 with the pulp magazine Amazing Stories. Her first sale, "Shambleau," became an immediate success in Weird Tales. Throughout the 1930s, she contributed numerous stories to the magazine and later collaborated extensively with her husband, Henry Kuttner. The couple wrote under various pen names and eventually ventured into screenwriting. After Kuttner's death in 1958, Moore continued writing for television and in the mystery genre, but never returned to science fiction. She remar

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Judgment Night, Catherine Lucile Moore

Language
Released
1979
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(Paperback)
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Title
Judgment Night
Language
English
Publisher
Dell
Released
1979
Format
Paperback
Pages
380
ISBN10
0440144426
ISBN13
9780440144427
Series
Rating
3.9 out of 5
Description
Four different worlds and five tales of conflict and discovery showcase the unique visions of science fiction master C.L. Moore in her first published collection, released in 1952. This anthology features novellas from the pages of Astounding Science Fiction, selected by Moore as her best longer-form work. "Judgment Night" explores a future galactic empire while reflecting on power's nature and inevitable loss. "The Code" pays homage to Faust, infused with modern theories and Lovecraftian dread. "Promised Land" and "Heir Apparent" depict humanity's grim transformation as it ventures into the solar system, while "Paradise Street" presents a futuristic take on the classic western conflict between lone hunters and settlers. Except for "Judgment Night," these stories were published under the pen name Lawrence O'Donnell, which Moore used for her solo works. Catherine Lucille Moore, born in 1911 in Indianapolis, began her prolific storytelling career in 1930 with the pulp magazine Amazing Stories. Her first sale, "Shambleau," became an immediate success in Weird Tales. Throughout the 1930s, she contributed numerous stories to the magazine and later collaborated extensively with her husband, Henry Kuttner. The couple wrote under various pen names and eventually ventured into screenwriting. After Kuttner's death in 1958, Moore continued writing for television and in the mystery genre, but never returned to science fiction. She remar