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Le grand empereur et ses automates

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  • 358 pages
  • 13 hours of reading

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In third century B.C. Ch'in, as that alien world is depicted in this extraordinary feat of scholarship and imaginative representation, modes of behavior were exotic, at least from a modern vantage point. A malicious courtier induces the susceptible prince to decapitate a loyal official, then throws his body to the fishes, leaving his eyes for the birds to peck. Another "honest subject of the state" is made mincemeat of, pickled and sold in the marketplace. A knight-errant admires the hands of a ravishing lutist and is presented with them, exquisitely boxed. In the afterword, Levi insists that this is neither a work of history nor a historical novel, as it portrays no "characters" in any dramatic or conventional sense. It is a really a "political fable" based on historical documents concerning the turbulent, war-torn period out of which the First Empire emerged. As such, Levi projects with a fine hand events that left permanent impressions on Chinese history, culture, religion, manners and mind-sets. description courtesy of Publishers Weekly This is an English translation of a French book.

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Le grand empereur et ses automates, Jean Lévi

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Released
1984
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Title
Le grand empereur et ses automates
Language
French
Authors
Jean Lévi
Publisher
Albin Michel
Released
1984
Format
Paperback
Pages
358
ISBN10
2226021035
ISBN13
9782226021038
Series
Rating
3.15 out of 5
Description
In third century B.C. Ch'in, as that alien world is depicted in this extraordinary feat of scholarship and imaginative representation, modes of behavior were exotic, at least from a modern vantage point. A malicious courtier induces the susceptible prince to decapitate a loyal official, then throws his body to the fishes, leaving his eyes for the birds to peck. Another "honest subject of the state" is made mincemeat of, pickled and sold in the marketplace. A knight-errant admires the hands of a ravishing lutist and is presented with them, exquisitely boxed. In the afterword, Levi insists that this is neither a work of history nor a historical novel, as it portrays no "characters" in any dramatic or conventional sense. It is a really a "political fable" based on historical documents concerning the turbulent, war-torn period out of which the First Empire emerged. As such, Levi projects with a fine hand events that left permanent impressions on Chinese history, culture, religion, manners and mind-sets. description courtesy of Publishers Weekly This is an English translation of a French book.