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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
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Point of View in the Cinema, Edward Branigan
- Language
- Released
- 1984
- Binding
- (Hardcover)
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- Title
- Point of View in the Cinema
- Language
- English
- Authors
- Edward Branigan
- Publisher
- Mouton
- Released
- 1984
- Format
- Hardcover
- ISBN10
- 9027930791
- ISBN13
- 9789027930798
- Series
- Tags
- Non-Fiction, Art & Culture, Historical Themes, Philosophical Topics, Art, Photography, Filmthema
- Rating
- 4.35 out of 5
- Description
- Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to naturalize style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.