Explore the latest books of this year!
Bookbot

Peter Doig - Charley's Space

Parameters

  • 144 pages
  • 6 hours of reading

More about the book

Viewers of a picture by Peter Doig usually experience the vague sensation of having seen a similar motif somewhere else before. This is due to the fact that Doig bases most of his pictorial compositions on models taken from the flood of media images that saturate us daily, appropriating quotations from record covers, sequences from horror movies or citations from art history. Doig's oil paintings--"harmless" only at first glance--come in alienating colors with strongly atmospheric effects. Stylistically composed of sampled painting methods, they present a thoroughly unnerving picture of nature. Doig helps himself freely to the collective archive of images, irritating his viewers by refusing to spell out what the picture is precisely about or where it takes place. His eerily familiar mountain landscapes, forest and ocean works, with their scattered human figures, seem to depict dream sequences or snapshots from stories which are bound to end badly. Published in conjunction with the Bonnefanten Museum, Maastricht.

Book purchase

Peter Doig - Charley's Space, Ineke Kleijn, Peter Doig, Paula van den Bosch

Language
Released
2003
product-detail.submit-box.info.binding
(Paperback)
We’ll email you as soon as we track it down.

Payment methods

No one has rated yet.Add rating

Title
Peter Doig - Charley's Space
Publisher
Hatje Cantz
Released
2003
Format
Paperback
Pages
144
ISBN10
3775713336
ISBN13
9783775713337
Series
Description
Viewers of a picture by Peter Doig usually experience the vague sensation of having seen a similar motif somewhere else before. This is due to the fact that Doig bases most of his pictorial compositions on models taken from the flood of media images that saturate us daily, appropriating quotations from record covers, sequences from horror movies or citations from art history. Doig's oil paintings--"harmless" only at first glance--come in alienating colors with strongly atmospheric effects. Stylistically composed of sampled painting methods, they present a thoroughly unnerving picture of nature. Doig helps himself freely to the collective archive of images, irritating his viewers by refusing to spell out what the picture is precisely about or where it takes place. His eerily familiar mountain landscapes, forest and ocean works, with their scattered human figures, seem to depict dream sequences or snapshots from stories which are bound to end badly. Published in conjunction with the Bonnefanten Museum, Maastricht.