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Johns Hopkins Poetry and Fiction: In the Air

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  • 192 pages
  • 7 hours of reading

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The Total Planet Food Co-op has been vandalized, leaving a chaotic scene of scattered food items. The culprit is suspected to be the Beast, a half-bear, half-ram creature rumored to take human form. Suspicions fall on various characters, including Chuck, a disgruntled co-op member, and Mr. Belfast, the churchgoing manager of a rival store. One character even suggests the Beast might symbolize Capitalism itself. In this collection, the author presents a familiar yet unsettling version of America. In rural Vermont, Mr. Goss finds a utility bill that includes a surcharge for the murder of Nicaraguan villagers, prompting a grim reflection. A Midwest bus station serves as a refuge for countless displaced individuals, while a remote Maine coast is suddenly filled with corpses from a chemical disaster. Nichols' moral outrage is conveyed with subtlety, as characters face the absurdities and grotesque realities of life with a bewildered acceptance akin to Kafka's Joseph K. These stories illustrate a world where the privileged cannot escape the suffering of others, revealing a hidden reality that is poignantly measured, much like Mr. Goss's sensitive electric meter.

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Johns Hopkins Poetry and Fiction: In the Air, Robert Nichols

Language
Released
1991
product-detail.submit-box.info.binding
(Paperback),
Book condition
Good
Price
€15.49

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Title
Johns Hopkins Poetry and Fiction: In the Air
Language
English
Released
1991
Format
Paperback
Pages
192
ISBN10
0801841968
ISBN13
9780801841965
Series
Description
The Total Planet Food Co-op has been vandalized, leaving a chaotic scene of scattered food items. The culprit is suspected to be the Beast, a half-bear, half-ram creature rumored to take human form. Suspicions fall on various characters, including Chuck, a disgruntled co-op member, and Mr. Belfast, the churchgoing manager of a rival store. One character even suggests the Beast might symbolize Capitalism itself. In this collection, the author presents a familiar yet unsettling version of America. In rural Vermont, Mr. Goss finds a utility bill that includes a surcharge for the murder of Nicaraguan villagers, prompting a grim reflection. A Midwest bus station serves as a refuge for countless displaced individuals, while a remote Maine coast is suddenly filled with corpses from a chemical disaster. Nichols' moral outrage is conveyed with subtlety, as characters face the absurdities and grotesque realities of life with a bewildered acceptance akin to Kafka's Joseph K. These stories illustrate a world where the privileged cannot escape the suffering of others, revealing a hidden reality that is poignantly measured, much like Mr. Goss's sensitive electric meter.