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From Russia With Doubt

The Quest to Authenticate 181 Would-Be Masterpieces of the Russian Avant-Garde

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  • 176 pages
  • 7 hours of reading

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In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twentieth-century Russian avant-garde masters, the 181 canvases had been acquired by amateur collectors Ron and Roger Pollard from a mysterious seller in Germany they met on eBay who claimed the paintings were found in an abandoned shipping container held in German customs since the 1980s. In From Russia with Doubt , Lerner skillfully weaves together the tale—from the initial eBay find to his controversial decision to exhibit the collection—guiding readers through the looking glass into the Byzantine corridors of the art world and beyond, describing the owners' quest to authenticate and appraise the would-be masterpieces. What he finds raises powerful questions about our own relationship to art.

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From Russia With Doubt, Adam Lerner

Language
Released
2013
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(Paperback),
Book condition
Very Good
Price
€15.49

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Title
From Russia With Doubt
Subtitle
The Quest to Authenticate 181 Would-Be Masterpieces of the Russian Avant-Garde
Language
English
Released
2013
Format
Paperback
Pages
176
ISBN10
1616891629
ISBN13
9781616891626
Series
Description
In 2010 the Museum of Contemporary Art Denver director Adam Lerner did something unheard of in the museum he mounted a large exhibition of paintings without first knowing whether they were real or fakes. Painted in the Suprematist and Constructivist style of early twentieth-century Russian avant-garde masters, the 181 canvases had been acquired by amateur collectors Ron and Roger Pollard from a mysterious seller in Germany they met on eBay who claimed the paintings were found in an abandoned shipping container held in German customs since the 1980s. In From Russia with Doubt , Lerner skillfully weaves together the tale—from the initial eBay find to his controversial decision to exhibit the collection—guiding readers through the looking glass into the Byzantine corridors of the art world and beyond, describing the owners' quest to authenticate and appraise the would-be masterpieces. What he finds raises powerful questions about our own relationship to art.