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Lasst euch nicht verführen
Albrecht Dümling
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3.0
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Nachklang
Dietrich Fischer-Dieskau
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Giacomo Puccini
Dieter Schickling
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Clara Schumann
Catherine Lépront
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Maria Callas
Jürgen Kesting
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Depeche Mode
Manfred Gillig
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Guns n'Roses
Danny Sugerman
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The end
Bob Seymore
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Backbeat
Alan Clayson
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Roy-Black-Songbuch
Various authors
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Bon Jovi
Alex Gernandt
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Heimspiel
Walter Gröbchen
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Bruce Springsteen
Wolfgang Smejkal
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Eric Clapton
Christopher Sandford
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Summer of love!
George R. R. Martin
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Angry women
Andrea Juno
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Briefe, Tagebuchnotizen, Gedichte
Franz Schubert
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Die Gitarre im Jazz
Jürgen Schwab
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Cäcilia unter den Deutschen und andere Essays zur Musik
Hans Maier
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Schenker's interpretive practice
Robert Snarrenberg
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The Complete Operas of Mozart
Charles Osborne
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Playing for Time
Fania Fénelon
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Brigitte Fassbaender
Wolf Eberhard von Lewinski
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Lieben Sie Bach?
Friedrich Schorlemmer
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Richard Wagners "Das Judentum in der Musik"
Jens Malte Fischer
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Der Taktstock
Eckhard Roelcke
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Wagner without fear
William Berger
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Große Geiger
Harald Eggebrecht
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Die Wiener Staatsoper
Michael Fritthum
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Beruf: Opernsänger
Marita Knobel
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Ritter-Rost-Lesefutter
Jörg Hilbert
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Kent Nagano
Habakuk Traber
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ABC der klassischen Musik
Various authors
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Der zweite Tod der Oper
Slavoj Žižek
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Explosiv!
Stan Cornyn
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Weltbühne Musik
Manfred Joh. Böhlen
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Genesis
Dave Bowler
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Geistliche Musik
Andrew Wilson
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Johann Strauß
Anton Mayer
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Briefe
Ludwig van Beethoven
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Das Reclam-Buch der Musik
Arnold Werner-Jensen
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Björk
Evelyn McDonnell
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Unmöglichkeiten sind die schönsten Möglichkeiten
Nikolaus Harnoncourt
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Achtundvierzig Variationen über Bach
Franz Rueb
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Techno
Falko Blask
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Mozart
Maynard Solomon
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Alma Rosé
Richard Newman
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The Blaue Reiter almanac
Wassily Kandinsky
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