This series delves into the diverse traditions of American cinema that warrant introduction, investigation, or critical reassessment. Each volume emphasizes the multiplicity rather than the supposed homogeneity of both studio-era and independent filmmaking. It offers a nuanced exploration of various cinematic styles and movements that have shaped the landscape of American movies. The collection provides insightful analyses for enthusiasts and scholars alike, uncovering hidden depths within the film industry.
With case studies of the Cold War comedy, the 'rogue cop' film, the brainwashing thriller and the urban romances, Cold War Film Genres explores these myriad productions, redefining American cinematic history with a more inclusive view of the types of films that post-war audiences actually enjoyed, and that the studios provided for them.
Vampires, Race, and Transnational Hollywoods' explores the movement of transnational Hollywood's vampires, between low-budget quickies and high- budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa.