Mark Taylor Books

Where does my body begin? Where does it end? What is inside my body? What is outside? What is primary? What is secondary? What is natural? What is artificial?Science fiction has long imagined a future fusion of humanity with technology. Today, many of us―especially people with health issues such as autoimmune diseases―have functionally become hybrids connected to other machines and to other bodies. The combination of artificial intelligence with implants, transplants, prostheses, and genetic reprogramming is transforming medical research and treatment, and it is now also transforming what we thought was human nature.Mark C. Taylor identifies this process as “intervolution” and explores how it is weaving together smart things and smart bodies to create new forms of life. Our wired bodies are no longer freestanding individuals, but interconnected nodes in worldwide networks. Recognizing this transformation overturns deeply entrenched distinctions and oppositions between minds and bodies. Intervolution reveals that we are already cyborgs, integral cogs in what will become a superorganism of bodies and things.

The heartwarming adventures of a young boy named Henry and his loyal dog Angus have captivated families for over fifty years. Their stories are filled with excitement and friendship, making them a beloved choice for reading aloud together.

Focusing on the establishment of a unique utopian community, the book delves into the founding of Arden in 1900 by sculptor Frank Stephens and architect Will Price, inspired by Henry George's economic principles. Supported by philanthropist Joseph Fels, they created a vibrant colony in Delaware, drawing a diverse group of radicals and progressives, including notable figures like Upton Sinclair and Scott Nearing. Through photographs, it captures the early history of this little-known experiment in social reform and community living.

"Finding silence amidst restlessness is what makes creative life possible-and death comprehensible. But how do we find-more importantly, how do we "understand"-silence while immersed in the chattering of the digital age? Have we forgotten how to listen? Are we less prepared than ever for the ultimate silence that awaits us all? Mark C. Taylor's new book is a philosophy of silence for our nervous, buzzing present, a timely work for a world where noise is a means of distraction, domination, and control. Here Taylor asks the reader to pause long enough to hear what is not said, and to attend to what remains unsayable. But in his account, our way to "hearing" silence is to "see" it: Taylor explores variations of silence by considering the work of leading modem and postmodern visual artists, from Barnett Newman and Ad Reinhardt to James Turrell and Anish Kapoor. Drawing also on the insights of philosophers, theologians, writers, and composers, he weaves a rich narrative modeled on the Stations of the Cross. "We come from and return to silence; in between, silence is the gap, hesitation, interval that allows thoughts to form and words to emerge," he writes. His chapter titles suggest our positions toward silence--or rather, our pre-positions: Without. Before. From. Beyond. Against. Within. Around. Between. Toward. With. In. Recasting Hegel's phenomenology of spirit and Kierkegaard's stages on life's way, Taylor translates the traditional "Via Dolorosa" into a Nietzschean "Via Jubilosa" that affirms silence in the midst of noise, light in the midst of darkness"-- Provided by publisher

Balancing classical and Keynesian economics, this work uses the modern approach of presenting long-run analysis before short-run fluctuations, and covers the large open economy in depth. This edition includes a revised section on developments in the theory of economic fluctuations.

Facing terminal cancer, the author embarks on a profound self-examination in this memoir. He reflects on his life’s journey and adventures, seeking meaning and understanding in the face of mortality. The narrative offers an intimate look at his thoughts and emotions as he grapples with the inevitability of death, providing readers with a raw and honest perspective on life’s fleeting nature.

The book demonstrates that cultural jobs are the preserve of the most privileged, a 'creative class' in society, and always have been: there was no golden age for social mobility in culture. It shows how women, people of colour, and those of working class origins are missing from key parts of the workforce and audience for culture. -- .

The narrative follows Buehl, who trained as an aviation mechanic in Germany during the 1910s and immigrated to the United States in 1920, contributing to the burgeoning civilian aviation industry. As a pilot and trainer, he played a pivotal role in educating thousands of fliers, significantly advancing both the physical and social dimensions of aviation in his time. His experiences highlight the transformative impact of early aviation on society and the evolution of flight.

The book explores the evolution of character representation in twentieth-century novels, arguing against the conventional view of individualism in literature. It highlights how prominent authors like D. H. Lawrence, Olaf Stapledon, Aldous Huxley, and Doris Lessing embraced the concept of a porous self, influenced by parapsychology, to create narratives centered on communities and shared ideas rather than individual development. This analysis calls for a reevaluation of character in literary criticism, emphasizing the interconnectedness of characters within their social contexts.

The book addresses the struggles of individuals who feel overwhelmed by their emotions and often end up apologizing for perceived overreactions. It offers insights and strategies to help readers understand their emotional responses better, fostering healthier communication and relationships. By exploring the root causes of these feelings, the author aims to empower readers to express themselves authentically without the burden of guilt or the need for constant apologies.