Feminism and Film Theory
- 271 pages
- 10 hours of reading
First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Constance Penley delves into the profound intersections of film, feminism, and psychoanalysis. Her work, informed by her academic background in film and media studies, explores how cinematic creation shapes our understanding of illusion and reality. She examines the ways in which filmic narratives and visual styles are employed to construct and interrogate societal norms. Her approach offers a unique lens on the psychoanalytic underpinnings within cinema.

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.